Ezra’s Top 10 Favorite Films of 2012

Posted 15 Feb 2013 — by Ezra Stead
Category Essay, Film Reviews, Movies I Didn't Get, Movies I Got

By Ezra Stead

The Grey is nothing but desolate Alaskan wilderness and people being brutally murdered by wolves for two hours. What's not to love?I’ve been making these lists, in one form or another, for a dozen years now, and every year I’ve done my best to balance my own personal preferences with an objective and educated view of cinema in order to recommend not only my personal favorite films of any given year, but also those I believe to be the best. Well, no more! This year, and forever onward, I strive to give you only my own subjective favorites, the films that I have watched and am likely to watch over and over again throughout the years. When I look back over the last five years, for example, I have to admit that these have proven to be my actual favorite films, despite what I may have written at the time in an effort to recognize other worthy cinematic achievements to which I may or may not have returned even once in the years since: The Assassination of Jesse James by the Coward Robert Ford (2007); The Dark Knight (2008); Inglourious Basterds (2009); Dogtooth (2010); and Drive (2011).

Of those five, only Dogtooth actually topped my list at the time. So, with this in mind, I present my favorite films of 2012, in all their highly subjective glory. Since ranking films in order of preference is often at least somewhat arbitrary, I should admit that some of these may have made it into the top 10, rather than the runner-up category, solely because they were more fun to write about. However, my top 5 is solidly made up of films I have already seen at least twice, and feel strongly that I would be more than happy to watch again at absolutely any time. Read More

Invincible Force

Posted 10 Jan 2013 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

Invincible Force, USA, 2011

Directed by Daniel Schneidkraut

Invincible Force indicts our modern society's empty worship of physical perfection without preaching or pandering to its audience. To my knowledge, Daniel Schneidkraut’s second feature, Invincible Force, must be the only film ever to have this unique amalgamation of genres attached to its IMDb page: documentary, drama, horror. All of these descriptions are accurate to some degree, and to them I would personally have to add comedy, though it is certainly comedy of the very darkest variety. Schneidkraut’s previous film, Seeking Wellness: Suffering Through Four Movements, could also be described in much the same way, though it lacks the distinction of any true documentary trappings and is, in fact, a collection of short films tied together by a common thread of suffering. In this way, Invincible Force could be seen as Schneidkraut’s feature film debut, and what a bracingly unique debut it is.  Read More

Six Months On A Regimen Of Woman Filmmakers – Sarah Polley

Posted 21 Jul 2012 — by contributor
Category Essay, Film Reviews, Movies I Got

By Alice Shindelar

Sarah Polley has a knack for symbolism that would seem superfluous in dialogue, too on-the-nose, but which plays out beautifully in her imagesAway from Her, Canada / UK / USA, 2006

Written and Directed by Sarah Polley

Based on the Story The Bear Came Over the Mountain by Alice Munro

Take This Waltz, Canada / Spain / Japan, 2011

Written and Directed by Sarah Polley

Once in a while, an artist comes along who gives voice to your world, to your experience of life, better than you can imagine ever being capable of, and you’re left exposed. Young writer-director Sarah Polley did this to me with her second film, Take This Waltz, and then again when I subsequently saw her first film, Away from Her.

Away from Her, Polley’s faithful adaptation of Alice Munro’s short story The Bear Came Over the Mountain, follows Grant (Gordon Pinsent) as he watches Fiona (Julie Christie), to whom he’s been married since their twenties, descend into the throes of Alzheimer’s Disease. Forgotten, Grant travels through memories of their marriage as he stands by and watches his wife love a fellow patient at the nursing home, Aubrey (Michael Murphy). Like all marriages, Grant and Fiona’s wasn’t a perfect one, but the moments we spend with them in their home before she’s checked into the hospital, their quiet hours, the spark of lust between them that doesn’t need to lead to sex before they sleep, provides witness to the survival of their love – a weathered love. Amongst many other awards, Julie Christie (Darling, Dr. Zhivago) was nominated for an Oscar for her role as Fiona. She nails the role in her ability to let Fiona’s memories fall away with a grace that appears so effortless one cannot doubt the fear and pain she must feel. When you witness the maturity and insight with which this story is told, it’s next to impossible to believe that Polley was only 26 when she made it, and to top it off, it was her first feature.  Read More

POP-U-larity!

Posted 21 Jul 2012 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

POP-U-larity!, USA, 2012

Directed by Michelle Ehlen

POP-U-larity! is a reasonably enjoyable light comedy that satirizes modern singing competition shows such as American Idol and The Voice.Michelle Ehlen’s POP-U-larity! is a reasonably enjoyable light comedy that satirizes modern singing competition shows such as American Idol and The Voice. It is filled with strange, amusing characters and moments of genuine humor, but unfortunately most of its best material is used up in its first half. By the time the inevitable competition happens, the film and its characters have worn out their welcome and, for the most part, become somewhat grating. More than anything, it feels like an extra low-budget take on Christopher Guest’s largely improvised mockumentaries, such as Waiting for Guffman (1996) and Best in Show (2000), with the small-town quirkiness of Guffman at the forefront.

POP-U-larity! is at its best in its first act, when it introduces its wildly varied characters and their respective quirks and self-delusions. Ehlen, who also co-wrote the film with J.C. Peterson, stars as the film’s ostensible protagonist, a cowgirl named Charlene Hornsby who feels a deep affinity for one of her horses, Beth; she says of the other horse she tends, “We’re not close.” The writing and delivery of lines like this provides some of the film’s best humor, and many of the scenes involving two other competitors, Darque (Krys Fox) and Ness (Thessaly Lerner), are even better. Performing together as “Darkness,” the two bring a pot-addled, pseudo-nihilistic edge to the competition with their unlistenable melange of noise created by banging on random household objects while shouting a bizarre, stream-of-consciousness rant about the meaninglessness of life over the cacophony. A second act argument between the two of them about their artistic direction is undoubtedly the movie’s best scene.  Read More

Hysteria

Posted 02 Jul 2012 — by contributor
Category Film Reviews, Movies I Got

By Alice Shindelar

Hysteria, UK / France / Germany / Luxembourg, 2011

Directed by Tanya Wexler

Hysteria serves up a particularly dark period of feminine history and covers it in doilies and pink sparkles, until macabre 19th-century England coughs out an unlikely romantic comedy with yet another clumsy male lead and a punchy female love interest. Hysteria, directed by Tanya Wexler, serves up a particularly dark period of feminine history and covers it in doilies and pink sparkles, until macabre 19th-century England coughs out an unlikely romantic comedy with yet another clumsy male lead and a punchy female love interest. Worse yet, it’s not clear this film is a romantic comedy until the third act.

When I caught wind that a film with Maggie Gyllenhaal about the invention of vibrators would soon be released, Hysteria jumped to the top of my list of movies to see. The story follows Mortimer Granville (Hugh Dancy), a progressive young doctor who insists on washing his hands before operating on a patient, a revolutionary move at the time. Out of work, Granville applies for a job at the top clinic in London serving women with hysteria. His employer, Dr. Robert Dalrymple (Jonathan Pryce) informs him “half the women in London are effected.” For close to 2,000 years of European history, hysteria referred to a catch-all medical condition thought to cause everything from depression, to headaches, to a disinterest in copulation with one’s 30-second husband, a.k.a. any woman who wasn’t happy with a life of childbirth, corsets, and overall slavery to men.  Read More

Mission: Impossible – Ghost Protocol

Posted 02 Jul 2012 — by Scott Martin
Category Film Reviews, Movies I Got

By Scott Martin

Mission: Impossible – Ghost Protocol, USA / United Arab Emirates, 2011

Directed by Brad Bird

Mission: Impossible - Ghost Protocol stands well enough on its own, and as part of the series. It’s worth noting that Tom Cruise performed all of his stunts in this film, as well as the other three Mission: Impossible films. Sure, there are bits of CGI, though seamless, and I’m sure a large team of medics and nets and other things were around to make sure he was alive at the end of the day, but that’s really the Burj Khalifa in Dubai, it really is the tallest building in the world, and that really is Tom Cruise dangling off its side, thousands of feet in the air. And that’s not even the most impressive set piece in the film.

You don’t necessarily have to see the first three M:I films to get this one and enjoy it, but it can’t hurt. Here’s a brief recap just in case you missed them:

Mission: Impossible – they make the hero from the TV show the bad guy in the film.

Mission: Impossible 2 – they do some stuff with motorcycles and Thandie Newton.

Mission: Impossible 3 – There’s an actual story involving Ethan Hunt (Cruise) and his now late wife, involving her death, and a couple other intricate missions. Probably the only important story of the three, even if it’s not the best film at that point. Up until now, the first adventure remained the most startlingly well-made of the series, but, with the inclusion of Ghost Protocol into the canon, those three seem a mite irrelevant in the world of filmmaking.  Read More

Project X – The Power Of Drunk People In Large Numbers

Posted 01 Jul 2012 — by Ezra Stead
Category Film Reviews, Movies I Didn't Get, Movies I Got

By Ezra Stead

Project X, USA, 2011

Directed by Nima Nourizadeh

Project X wastes very little time getting to what it does best: insanely over-the-top anarchy. In the past, I have never fully subscribed to the idea of a “guilty pleasure” movie. Sure, I unabashedly love a variety of questionable movies, from Julien Temple’s Earth Girls Are Easy (1988) to Uwe Boll’s Postal (2007), and I also have an ironic taste for some of the great cinematic disasters of all time, such as Claudio Fragasso’s Troll 2 (1990) and Tommy Wiseau’s The Room (2003). I even have a fondness for the films of Roland Emmerich that strains my credibility as a film critic, unless one accepts the fact that I consider them great unintentional comedies (especially The Patriot, which is absolutely side-splitting), but I’ve never really felt guilty about liking any of these films. However, while viewing first-time director Nima Nourizadeh’s Project X, I realized that a true guilty pleasure film is not one other people tell you is bad and you like it anyway; it is a film whose content makes you at least mildly uncomfortable regardless of anyone else’s opinion, yet you can’t deny that you enjoyed it overall.  Read More