Archive for the ‘Movies I Got’ Category

It – Floats Much More Than It Sinks

Posted 11 Sep 2017 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead 

It, USA, 2017

Directed by Andy Muschietti

The 1990 TV movie adaptation of Stephen King’s wildly ambitious 1986 novel It has always had a place in the hearts of folks my age (we’re apparently known as “Xennials” now) much like that reserved for The Goonies. This love for both movies exists in us for the same reason: simple nostalgia. Unless you first saw both of them at a young, impressionable age, it might be too late now. For anyone remembering the It miniseries as genuinely scary, watch it again; it’s far more unintentionally funny. With the advances in special effects technology over the past 27 years, though, and without the restrictions imposed by television network standards, the new theatrical take on King’s novel fills the void quite nicely for those who want to be genuinely frightened by a movie about a bunch of misfit preteens facing down a murderous clown-monster.  Read More

Brigsby Bear – Make Something Cool With Your Friends!

Posted 26 Aug 2017 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead 

Brigsby Bear, USA, 2017

Directed by Dave McCary

Though Dogtooth certainly has its dark sense of humor, one wouldn’t expect a movie about an abducted child raised in an isolated, hermetically sealed world based on lies to be a comedy. This type of premise has yielded great results as emotionally devastating drama, as in the rightfully acclaimed Room, or intense psychological suspense, as in the by-and-large underrated 10 Cloverfield Lane (not about a child abduction, but dealing with similar ideas in terms of the nature of the protagonist’s captivity). Despite these and some other obvious comparison points, though, veteran Saturday Night Live director Dave McCary’s feature debut, Brigsby Bear, is a wonderfully original, sincere, and idiosyncratic movie that manages to not only earn cruelty-free laughs from an inherently unsettling subject, but also to make a larger point about the very nature of art and entertainment, without being annoyingly meta about it.  Read More

The Sandlot – What Was The Greatest Summer Of Your Life?

Posted 06 Jul 2017 — by contributor
Category Film Reviews, Member Movie Reviews, Movies I Got

By Mike Shaeffer 

The Sandlot, USA, 1993

Directed by David Mickey Evans

Filmed in Utah, the 1993 coming-of-age film The Sandlot wonderfully captures the summer of 1962 through the eyes of nine middle-school boys, and—in what was certainly a case of life imitating art—this cast of unknowns would later admit that the summer they spent filming this cinematic gem was, indeed, their favorite summer. Just like Simon Birch—another film involving an ill-fated baseball—this story opens with the voice of an adult narrator recalling one of the more memorable chapters from his youth. A good sports drama involves conflict, and the main pickle in this adventure stems from a stepfather’s prized baseball being knocked over the fence of the neighborhood sandlot that plays host to a summer-long baseball game. Normally, a 95-cent baseball would just be replaced, but this ball was autographed by the Sultan of Swat, Babe Ruth, and the neighboring yard is patrolled by a drooling monster of a dog known to the boys as “The Beast.”  Read More

Baby’s Day Out – A Scathing Indictment Of A Pre-Apocalyptic Society

Posted 19 Jun 2017 — by Ezra Stead
Category Essay, Film Reviews, Movies I Got

By Ezra Stead 

Baby’s Day Out, USA, 1994

Directed by Patrick Read Johnson

As anyone who’s read my in-depth review of Beethoven knows, family movies from the 1990s are often covert founts of darkness and despair, sometimes to the point that it’s nigh impossible to see them any other way. Another great example of this curious phenomenon is 1994’s Baby’s Day Out, which depicts a world on the brink of total destruction just underneath its deceptively cheerful surface. This is a world that no longer values anything but material possessions, social status, and unbridled hatred. If allowed to go on the way it is, this society will surely collapse on itself, as childcare, familial connections, and basic human decency are utterly neglected. Baby’s Day Out is the tale of the one super-genius infant who just might be able to save a world full of nihilistic idiots from itself.  Read More

Vore King – A Man And His Monsters

Posted 23 May 2017 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead 

Vore King, USA, 2016

Directed by Daniel Schneidkraut

Let’s get your first question out of the way now: “vore” is short for “vorarephilia,” a fetish involving a desire to be consumed by—or to be the one consuming—another person or creature. Yes, it is a sex thing, and yes, as per Rule 34, there is pornography for this fetish. Daniel Schneidkraut’s latest feature is a documentary about Raymond P. Whalen, sometimes known as Rock & Roll Ray (full disclosure: both the director and his subject are friends of this reviewer), who holds claim to the title of the most successful purveyor of vore porn.

Still with us? Good.

Of course, no one is actually eaten or otherwise harmed in Whalen’s vore videos. Instead, they are bizarre playacting sessions in which Whalen, dressed as one of various foam rubber monsters he designs and creates (with affectionate nicknames like Bumper Humper and Kitty Gulp), admires and then engages in simulated intercourse with a nude model, before ultimately “devouring” her. The sex is no more real than the cannibalism, and this is part of what makes a documentary that is (at least sort of) about pornography so unexpectedly charming.  Read More

Kong: Skull Island – A Big-Budget Sandbox

Posted 29 Mar 2017 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead 

Kong: Skull Island, USA, 2017

Directed by Jordan Vogt-Roberts

Nothing can destroy one’s enjoyment of a new movie like anticipation, and this type of (sometimes) misplaced enthusiasm is never more likely to occur than when it is attached to a new version of a beloved property. As excited as audiences might have been about, say, Jurassic Park in 1993, the anticipation for its sequel a few years later was bound to be even higher, leaving open the road for diminishing returns down which that particular franchise has been barreling ever since. 60 years before that first Jurassic movie, there was a little black-and-white classic without which Spielberg’s masterpiece likely never would have come to exist; that, of course, was the original King Kong, and if you’re not a pretty huge fan of that one, I’m kind of surprised you’re even reading this.

Needless to say, going into Kong: Skull Island, I had mixed feelings of hope and despair, balancing out to a sort of cautious optimism. Kong’s last big-screen outing, at the hands of Peter Jackson and company in 2005, was certainly reverent of the source material and technically impressive overall, if perhaps over-ambitious, and certainly a bit bloated at over three hours. Luckily, Skull Island has all the technical prowess of its predecessor with none of the awkward self-seriousness. It is a wildly entertaining romp from start to finish, and without a doubt my second-favorite Kong movie yet (I’m pretty sure most fans of the 1976 version are really just fans of young Jessica Lange).  Read More

MIDG 4th Annual Oscars Predictions Podcast For The 89th Academy Awards

Posted 24 Feb 2017 — by Jason A. Hill
Category Film Industry News, Film Reviews, Hollywood Beat, Movies I Didn't Get, Movies I Got

Hosted by Ezra Stead with special guests: Jason A. Hill, Alan Tracy and Pete K. Wong.

The MIDG Oscars Podcast, 2017 edition.

Oscar discussion and predictions for the show Sunday night, February 26th, on ABC.

 

 

 

Duration: 2 hours and 9 minutes.

 

Intro Music: LA LA Land “Another Day Of Sun”

Outro Music: The Neon Demon “Runaway”

Read More