Posts Tagged ‘A Clockwork Orange’

Movie Haiku

By Ezra Stead

Akira is the greatest animated film of all time. Let’s stray from the beaten path for awhile, shall we? Instead of a review in the usual format, today I’d like to offer up thoughts on over 25 films, mostly some of my favorites, but with a few that I love to hate thrown in for good measure. Only a few of these actually work as reviews; most are free-form poetic interpretations of the feelings they brought up in me. Some are just plain silly. At any rate, all are written in the form of the ancient Japanese art of haiku. For those who don’t know, that means five syllables in the first line, seven in the next, and another five in the last, preferably with some sort of twist in the last line or, failing that, at least a sense of poetry throughout. Almost all of these were written sometime in 2005, which explains why there are three inspired by Frank Miller’s Sin City, my favorite film that year. Let’s begin with a couple of actual Japanese films:

 

The net is vast and / infinite. Now that we two / have merged, where to go?
Ghost in the Shell (1995)

Tetsuo – not the / Iron Man, but a bike punk / transcends earthly life.
Akira (1988)  Read More

Loving The Bomb – Technology And Conquest In The Films Of Stanley Kubrick

Posted 11 Feb 2011 — by Ezra Stead
Category Essay, Most Confusing Films of All time, Movies I Got

By Ezra Stead

Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb, UK, 1964

2001: A Space Odyssey, UK / USA, 1968

A Clockwork Orange, UK / USA, 1971

Directed by Stanley Kubrick

Stanley Kubrick is the greatest filmmaker of all time. Stanley Kubrick (1928-1999) was undeniably one of the most brilliant and innovative motion picture directors of all time. His meticulously crafted works have influenced innumerable filmmakers all over the world, from Steven Spielberg to Gaspar Noe. Obviously, entire books have been written about Kubrick’s oeuvre, so let us focus here on the peak of his career, from 1963 to 1971, and the three films that are, arguably, his greatest masterpieces: Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb (1964); 2001: A Space Odyssey (1968); and A Clockwork Orange (1971).

Throughout these films are many common themes; prominent among them are technology and conquest. All three revolve around the idea of technology’s relationship to modern Man and his quest to control the Unknown, represented by the Doomsday Machine in Strangelove, HAL (voiced by Douglas Rain) in 2001, and the Ludovico Technique in Clockwork.
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