Posts Tagged ‘Academy Awards’

Ezra’s Favorite Movies Of 2014

Posted 17 Feb 2015 — by Ezra Stead
Category Film Reviews, Movies I Didn't Get, Movies I Got

By Ezra Stead 

The Lego MovieThis was the year I realized that my annual goal of seeing pretty much every movie released in a given year was more impossible than ever. The reason for this is the exponential growth in the number of films now being released in the digital age. When I started doing these lists back in 2001, there were about 300 official releases per year; now it’s closer to 700. With that in mind, I’d like to start with a partial list of movies I meant to see in 2014, but just didn’t get to in time. Then, to acknowledge the relatively arbitrary nature of these lists in general, I’m listing my Top 10 in categories by which each film corresponds to another one from my Top 20 (only the Top 10 is ranked in order of preference). It’ll make more sense as you read it, I promise.

WHAT MIGHT HAVE BEEN (40 movies I didn’t see in time for this list, in alphabetical order): Bird People; The Boxtrolls; Calvary; Chef; Citizenfour; Coherence; The Congress; Enemy; Fading Gigolo; Filth; Force Majeure; Foxcatcher; Frank; Fury; Gloria; Happy Christmas; Ida; Joe; A Letter to Momo; Leviathan; Life After Beth; Like Father, Like Son; Lucy; Men, Women & Children; A Million Ways to Die in the West; Mr. Turner; Moebius; A Most Violent Year; Night Moves; Palo Alto; The Rocket; The Sacrament; St. Vincent; Song of the Sea; Starred Up; Stonehearst Asylum; Top Five; 22 Jump Street; Virunga; Wrinkles.

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Ezra’s Top Ten Favorite Movies Of 2013

Posted 01 Mar 2014 — by Ezra Stead
Category Film Reviews, Movies I Didn't Get, Movies I Got

By Ezra Stead

Behind the Candelabra is a delightfully decadent look at the life of Liberace, brilliantly played by Michael Douglas in one of his very best performances. Every year, I struggle with the relatively arbitrary process of ranking movies, so this year I’ve decided to do something a little different. Instead of a traditional Top Ten list, I’m grouping two thematically connected films together for each place on the list, resulting in a hopefully more interesting Top 20 list. I’ve also included a more traditional Top Ten below that, for all you “too long, didn’t read” folks. One final note before we get to the list: it should tell you a lot about my credibility as a film critic that I liked Jackass Presents: Bad Grandpa more than most of the Academy Award Best Picture nominees for 2013.

10. THE WICKER MAN: FINAL CUT / JURASSIC PARK 3-D – BEST RE-RELEASES. Obviously, this category doesn’t really count, as both of these films were originally released decades ago, but I can’t deny that each of them provided one of the most enjoyable experiences I had in a movie theater in 2013. This new cut of the original 1973 classic The Wicker Man adds some nuance and more musical numbers to an already great film. Most crucially, it opens with a scene of Sergeant Howie (Edward Woodward) praying in church, emphasizing his piousness from the very start, which enriches the events to follow. Jurassic Park, on the other hand, is quite simply my favorite movie (it has the most dinosaurs in it – I rest my case), and seeing it on a big screen again, in 3-D no less, made me fall in love with it all over again.  Read More

No Country For Old Men – An Argument

By Jason A. Hill & Ezra Stead

No Country for Old Men, USA, 2007

Written and Directed by Joel and Ethan Coen

Based on the Novel No Country for Old Men by Cormac McCarthy

No Country for Old Men is full of excitement, suspense, and action, but I got the feeling that there was something deeper going on under the surface and I was expecting some revelation at the end. [Note: “An Argument” is a new feature on Movies I Didn’t Get, in which the site’s founder and owner, Jason A. Hill, and head editor, Ezra Stead, debate the relative merits (or lack thereof) of various beloved movies on which they disagree. Please feel free to get in on the argument in the comments section below.]

No Country for Old Men - An ArgumentJASON’S ORIGINAL REVIEW: I didn’t get this movie. I wanted to, and I was fully engaged as I watched the film. However, by the “end” of this film, the only way I knew it was over was by lights in the cinema coming up, and for a film that wins Best Picture, Best Director, Best Adapted Screenplay, and Best Supporting Actor, I really expected a lot more. Of course, I saw the movie before all of that.

No Country for Old Men is full of excitement, suspense, and action, but I got the feeling that there was something deeper going on under the surface and I was expecting some revelation at the end. What I got instead was that feeling you get when you’re at a big concert and the headlining band comes out on stage two hours late then leaves the stage after one song as the lead singer throws the mic down and flips off the crowd. At first, everyone thinks it’s a great gesture, but after a while they start to feel conned.  Read More

True Grit – A Classic Western From The Coen Brothers

Posted 19 Feb 2011 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

True Grit, USA, 2010

Written and Directed by Joel Coen and Ethan Coen

Based on the Novel True Grit by Charles Portis

The Coens' True Grit is better than the original.

If I were going to direct a Western, I wouldn’t even consider any other cinematographer than Roger Deakins. A frequent collaborator of the Coen Brothers, Deakins shot two of the best films of 2007 – the Coens’ No Country For Old Men and Andrew Dominik’s The Assassination of Jesse James by the Coward Robert Ford (quite possibly the best Western ever made) – and it was his painterly eye and excellent use of light that created the mournful, elegiac and distinctly American feel of both those excellent films. Now he has reteamed with Joel and Ethan for their first true period Western, True Grit, and more than their wonderfully dry humor or the excellent performances by Jeff Bridges and newcomer Hailee Steinfeld, it is his work that makes the film as good as it is.

Don’t get me wrong – the Coens have created a truly classic film here, a real Western with all the best parts of the 1969 original intact and amplified, and with a much stronger sense of the other characters besides Bridges’ Rooster Cogburn (whereas the original was mainly a vehicle to showcase John Wayne’s finest performance). Bridges is utterly believable and likable as the irascible Cogburn, and Steinfeld is a talent to watch in the coming years, imbuing young Mattie Ross with a steel resolve that makes me think the 14-year-old could probably beat me in a fight. As mentioned above, the script is full of wonderfully dry humor and startlingly realistic violence (I can’t imagine what they had to cut to whittle it down to a PG-13); there is much to praise about all aspects of the film, but for me it is definitely Deakins’ work that shines the brightest. Read More

Blue Valentine – Is This You?

Posted 23 Jan 2011 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

Blue Valentine, USA, 2010

Directed by Derek Cianfrance

Michelle Williams and Ryan Gosling star in Blue Valentine.2010 was an unusual year for me in that I saw only about a third (or less) of the number of new films I’ve seen in pretty much every year of the decade leading up to it. That said, of the few dozen I did manage to see (and we all know the film year isn’t over until around the time of the Academy Awards – the Super Bowl of movies – so there are more to be seen), Derek Cianfrance’s Blue Valentine is my favorite. I might even venture an objective opinion (is that an oxymoron?) and say that it is absolutely the best film of the year.

I have called this Derek Cianfrance’s film and, while it is true that its greatness is in large part due to his work as director and co-writer (along with Cami Delavigne and Joey Curtis), Ryan Gosling and Michelle Williams have created performances of such credibility and raw emotional intensity that it is easy to forget the director’s invisible hand. Gosling plays Dean, a high school dropout who now works as a house painter and drinks too much; Williams is Cindy, an on-call nurse who struggles to balance her heavy workload with time spent caring for their daughter, Frankie (Faith Wladyka). One weekend, they leave Frankie with Cindy’s dad and go to a “cheesy sex motel” to get drunk and try to forget the pressures of their lives for a while. What they find when they are alone together, though, is just how far they have gone from the happy, early days of their relationship. Read More