Posts Tagged ‘Allison Janney’

MIDG 5th Annual Oscars Predictions Podcast For The 90th Academy Awards

Posted 26 Feb 2018 — by Jason A. Hill
Category Film Industry News, Film Reviews, Hollywood Beat, Movies I Didn't Get, Movies I Got

Hosted by Alan Tracy with special guests: Jason A. Hill and Ezra Stead.


The MIDG Oscars Podcast, 2017 edition.

Oscar discussion and predictions for the show Sunday night, March 4th, on ABC.




Duration: Part 1: 1 Hour, 5 Min. / Part 2: 1 Hour, 58 Min.

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The Help – Hooray For Heroic White People!

Posted 24 Jun 2012 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

The Help, USA / India / United Arab Emirates, 2011

Written and Directed by Tate Taylor

Based on the Book The Help by Kathryn Stockett

The Help hits all the proper notes and manipulates all the right emotions, but is ultimately rather slight and forgettable. Tate Taylor’s film version of The Help is basically 2011’s answer to The Blind Side (2009); however you felt about that movie – whether indifferent, aggressively hateful, grudgingly appreciative or tearful and inspired – is undoubtedly how you will feel about this one. Both are well-made, well-acted films that are also, at their heart, about noble white people who take a stand against the appalling racism of their friends in order to help strong, stoic, oppressed black people. In other words, like The Blind Side, The Last Samurai (2003) or Dances with Wolves (1990), it is a film about non-white people told almost exclusively from the point-of-view of white people.  Read More

Juno – Worst Hipster Movie Ever (So Far)

Posted 08 Jun 2011 — by Ezra Stead
Category Film Reviews, Movies I Didn't Get

By Ezra Stead

Juno, USA, 2007

Directed by Jason Reitman

Juno is an insufferable and overrated quirk-fest.

Juno is, in my decidedly non-humble and belligerent opinion, not only the most overrated film of the last decade, but also one of the worst. Before we go any further, let me assuage any accusations you might be formulating that I’m just trying to espouse an unpopular opinion for the sake of doing so, or that I didn’t want to like the movie: the second part is true. But I also went into Little Miss Sunshine (2006) expecting and wanting to hate it, and it won me over. I didn’t think it deserved to be regarded as one of the best films of that year, but I thoroughly enjoyed it. Let it also be known that I like all of Wes Anderson’s films (to varying degrees), The Squid and the Whale (2005) and Napoleon Dynamite (2004), so please don’t think I just hate quirky indie movies. That said, let me expound upon why this is the most insufferably cutesy and irritating film I’ve seen since Zach Braff’s Garden State in 2004 (and I think this one just might be worse).

The first thirty minutes or so of Juno are almost unbearable, as Ellen Page (an excellent actress who, like the rest of the cast, is completely wasted on this tripe) struggles to bring life to a character whose every line sounds like it was written by an angry, dumb teenager who thinks the audience callbacks at The Rocky Horror Picture Show (1975) are the height of wit. Worse than that, some of those lines are uttered into a hamburger phone that the character admits is awkward to use, but it’s all part of the ironic facade she uses to mask her true vulnerable, compassionate humanity. Sarcasm doesn’t translate well in writing, so I should probably point out here that the film spends another hour unmasking this facet of the character, all the while indulging in the kind of dialogue that would get you a “D” at best in any self-respecting screenwriting program. Read More