Posts Tagged ‘Charles Manson’

Ezra’s Top 10 Favorite Films Of 2011

Posted 01 Jul 2012 — by Ezra Stead
Category Essay, Film Reviews, Movies I Got

By Ezra Stead

The Artist is a relentlessly entertaining love letter to silent film and cinema in general. Well, it’s that time once again, and as always, I didn’t get around to a lot of the films I would have liked to see – as I write this, a DVD of Woody Allen’s Midnight in Paris sits on my desk, glaring at me – but there comes a time when every movie lover has to call it a year. I have somewhat arbitrarily picked today as that time, so here now are my top 10 favorite films of 2011:

 

# 10) MELANCHOLIAanyone with whom I talk movies already knows how much I love Lars von Trier, and though this is definitely not my favorite of his films (2003’s Dogville still takes that honor), it is nonetheless a striking and powerful depiction of the nature of depression, as well as a highly unusual and compelling look at what the impending apocalypse might feel like. The stunning opening and closing sequences alone make this film impossible to ignore, or to forget.  Read More

Martha Marcy May Marlene

Posted 22 Apr 2012 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

Martha Marcy May Marlene, USA, 2011

Written and Directed by Sean Durkin

Martha Marcy May Marlene is an excellent, haunting film from first time writer-director Sean Durkin. Martha Marcy May Marlene is a wonderfully disquieting and haunting film, disturbing as much for what it doesn’t show us as for what it does. First-time director Sean Durkin gives us the story in disjointed bits and pieces, moving seamlessly back and forth in time in a way that puts the viewer fully into the confused head-space of its protagonist, Martha (Elizabeth Olsen, who handily proves with this one performance that she is by far the most talented of her sisters, who include the famous twins, Mary-Kate and Ashley). The film’s style gives it an almost documentary-like immediacy similar to recent films like Antonio Campos’s Afterschool or Jonathan Demme’s Rachel Getting Married (both 2008). The similarity to Afterschool is no coincidence, as Durkin was a producer on that film, and Campos is credited as producer on this one; together, they are proving to be a formidable filmmaking team, and certainly one to watch in the coming years. Read More