Posts Tagged ‘comedy film’

Arthur

Posted 17 May 2011 — by Nicole P
Category Film Reviews, Movies I Got

By Scott MartinArthur starring Russell Brand

Arthur, USA, 2011

Directed by Jason Winer

There are moments of genuine comedic genius in this updated remix of 1981′s Arthur, starring Dudley Moore, Liza Minelli, and John Gielgud. Here, Russell Brand portrays our titular loafer in wildly expensive loafers, while Helen Mirren takes Gielgud’s spot as his live-in nanny Hobson. Greta Gerwig, affable and luminous as ever, takes over for Liza Minelli as Arthur’s love interest/savior. He drinks more than anyone should, to a debilitating degree, and every time he steps out of his house, it’s a party. Drinks are on him, of course. Most remakes today have nothing to offer audiences, and do nothing to improve upon or rethink the original films. Admittedly, this version of the popular Moore film (for which he was Oscar-nominated, and Gielgud won) doesn’t do much to rethink the original, but the improvement is there. In the original film, Arthur’s alcoholism isn’t treated with the same touch (it’s merely a plot point, it feels) and Brand’s performance here has more heart than most things Moore did. Both are fine films, and this one certainly won’t see the Oscars, but that doesn’t stop it from being a warm and abstractly hilarious afternoon at the movies.

I’ve said it before and I’ll say it again with confidence: Russell Brand is an excellent actor. More important than being funny, he’s lovable. There’s a certain heartwarming quality to his humor, even when it’s vile, so that you can’t help but want to hug him when you should want to slap him. That’s an important quality for Arthur Bach, a man with about a billion dollars and a billion fewer brain cells, to have. Matched with Helen Mirren’s gift for dry wit and being so damn lovably herself, it’s easy to find why this movie works. On one hand, the film underuses just about everyone except Brand, almost like it’s a vehicle for his comedic riffing. It isn’t as balanced as last year’s Get Him to the Greek, but everyone gets their fair share of screentime, and no one is forced. That’s probably the best thing about this over-the-top film – nothing feels like it isn’t natural. We live in Arthur’s billion-dollar world, and what we see is a normal day for him. Read More

Hancock – I Know, Let’s Make Him A God!

Posted 28 Oct 2009 — by Corey Birkhofer
Category Film Reviews, Movies I Didn't Get

By Corey Birkhofer

Hancock, USA, 2008

Directed by Peter Berg

will smith

Will Smith is on fire: a big blockbuster nearly every year for as long as I can remember, and it doesn’t seem like he’s going to stop anytime soon. Now for any of you who follow his work, you’ll know that Smith has played the last-action-hero or beaten-down-nice-guy-against-the-rest-of-the-world role before: I, Robot (2004), I Am Legend (2007), The Pursuit of Happyness (2006). Personally, I have loved him in every one of these roles because there was always something unique about his character that compelled me to watch him succeed through all the struggles put before him.

Earlier this year when I finally had a chance to see Hancock, I have to say I felt more than a little giddy to see what Smith would bring to the role. To me, there’s something about Smith’s whole aura that just makes me want to watch him do what he does. He has a full range of emotions at his disposal, not to mention his consistency in picking interesting characters that have unbelievably difficult obstacles put before them.

On the surface of I, Robot, Smith is a detective bent on solving the murder of a leading scientist who was also his friend. Underneath the surface of this detective exterior is a character that hates robots. This is a problem for him in the overly robot-reliant society in which he lives, and it makes his struggle all the more difficult and, as such, compelling to watch. In I Am Legend, Smith is again the lone man (in this case, literally) trying to find the cure to a disease that has killed and/or mutated the remaining human population into vicious, zombie-like carnivores. Throughout the film, we see the protagonist’s clockwork routine that he has undoubtedly developed through near-death experiences fighting the once human, now zombie-like creatures that only come out at night. This routine is what has kept him alive, and the meticulousness of it is real and tangible, thus making him an interesting protagonist to watch succeed. In The Pursuit of Happyness (which was based on a true story), Smith plays a salesman trying to sell these ridiculously difficult to sell x-ray machines, all while his family is falling apart at the seams. Despite this, his strange knack for memorizing numbers and his insanely driven work ethic are character attributes that make him incredibly interesting to watch as he struggles to get what he wants. No surprise that this, too, was a film I loved. Now let me get to Hancock.

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