By Ezra Stead
The Dead Don’t Die, Sweden / USA, 2019
Written and Directed by Jim Jarmusch
“Humor is subjective” is a phrase I forced myself to remember several times throughout legendary independent filmmaker Jim Jarmusch’s latest, The Dead Don’t Die, as several other people in the audience with me reacted audibly and approvingly to jokes I found relentlessly unfunny and lame.
Here are some of the bits that elicited laughter…
Farmer Frank Miller (Steve Buscemi) is introduced in a diner, wearing a bright red baseball cap with white letters in a recognizable font reading “Keep America White Again.” That’s it. That alone got a laugh, of the performative type borne not of true mirth but a desire to let others know you get the joke (or so it seemed to me, at least). Read More
It is often lamented by casual movie fans that “Hollywood has run out of ideas.” In fact, the seeming lack of originality in the mainstream movie pool has more to do with a fear of taking chances on those new ideas, which certainly do exist. Why gamble when you can pretty much guarantee a huge opening weekend with a sequel to, or adaptation of, an already beloved existing property? With that in mind, it’s rather amazing that this debut feature from writer-director Boots Riley, a founding member of legendary Hip-Hop group The Coup, ever got greenlit. I mean this in both a good way – because Sorry to Bother You is full of original ideas, sharp satire, and great performances – and in a somewhat more negative way, because it often feels so overstuffed with interesting concepts that it can’t possibly come together as a wholly satisfying, coherent narrative. 
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