Posts Tagged ‘documentry’

Dogtooth

Posted 10 Mar 2011 — by Ezra Stead
Category Film Reviews, Most Confusing Films of All time, Movies I Got

By Ezra Stead

Dogtooth, 2009, Greece

Directed by Giorgos Lanthimos

Dogtooth is the best film of the year.

This film is mind-blowingly great, the best I’ve seen in quite some time. The best way to see Dogtooth is the way in which I was lucky enough to: without knowing anything about its storyline. If you have not yet seen this film, I strongly encourage you to stop reading this review and watch it, right now, on Netflix or any other method you might be able to find.

Anyone still with me? I am now going to assume you have seen the film and that it has either blown your mind and made you extremely inspired and reinvigorated about the possibilities of the cinematic art form, as it did for me on both viewings (within two weeks), or it has outraged and disgusted you with its “mean-spiritedness,” as it did for some others with whom I have discussed it. Maybe it has done a little of both. In any event, you have seen the film and I will no longer have to warn you about upcoming spoilers.

Greek filmmaker Giorgos Lanthimos has created a film of startling power and striking originality. The closest comparison I can make, both in style and content, is the work of Austrian provocateur Michael Haneke – the brilliant filmmaker behind The Seventh Continent (1989), Cache (2005) and The White Ribbon (2009), to name just a few – but Dogtooth is more perversely humorous than even Haneke’s Funny Games (1997, remade by Haneke himself in 2007), which is admittedly the only one of his films to really utilize humor. As dark, disturbing and sometimes brutal as Dogtooth ultimately is, it is hard not to laugh at some of it, and this is clearly the desired effect. Read More

The 83rd Annual Academy Awards – Some Thoughts

Posted 02 Mar 2011 — by Ezra Stead
Category Animation, Essay, Film Industry News, Hollywood Beat, Movies I Got

By Ezra Stead

James Franco and Anne Hathaway host the Oscars.

The 83rd Annual Academy Awards have now come and gone, and as usual, I have a few gripes. Nothing too unexpected happened, but you must understand this is my Super Bowl: an excuse to get drunk and yell at the TV each year, so I can’t help but complain a bit about some of what went down the morning (and the rest of the week) after. Please bear with me.

Last year, I dominated my friendly Oscar pool, with 18 out of 24 categories guessed correctly. By the time they got to the last four categories, it was mathematically impossible for anyone at the party I attended to beat me, and then I got those four categories right, too. I say that to say this: oh, how the mighty have fallen. Perhaps as a result of having bet against Roger Ebert in an online competition, and thereby allowing too much of his presumed wisdom to influence my choices, I failed miserably this year, with only 15 correct guesses. I did manage to outguess Ebert by one vote, but not quite as simply as that makes it sound: he picked Geoffrey Rush for Best Supporting Actor and I picked Christian Bale, who won; I also guessed correctly in the make-up category (Rick Baker and Dave Elsey for The Wolfman) while Ebert guessed Adrien Morot for Barney’s Version, but then he managed to get a point back in the Best Director category (more on that shortly). Read More