Posts Tagged ‘Dragged Across Concrete’

Ezra’s Top 10 Favorite Movies Of 2019

Posted 01 Feb 2020 — by Ezra Stead
Category Essay

By Ezra Stead

As always, it is important to stress that this list is a compilation of my ten personal favorite movies of the year, and not necessarily the “best,” though I do consider the top three to be timeless, unassailable classics. The bottom three are, on the other hand, a few that I feel have not gotten the love they deserve on lists like this one. 2019 saw feature film conclusions to two of my all-time favorite television series in Deadwood and El Camino, both of which I considered for this list before ultimately deciding to count them as TV in order to make room for other, equally worthy movies. It is a bit of a cheat, necessary because of the difficulty of ranking my ten favorites out of the 113 movies I managed to see in 2019, so allow me to indulge in a bit more cheating….
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The Ambivalence of Justice – Dragged Across Concrete & The Highwaymen

Posted 17 Apr 2019 — by Ezra Stead
Category Film Reviews

By Ezra Stead

Dragged Across Concrete, Canada / USA, 2018

Written and Directed by S. Craig Zahler

The Highwaymen, USA, 2019

Directed by John Lee Hancock

It’s been a while since I attempted a double review, but these two recent movies have enough in common that I’ve found myself thinking of them both in the same “breath” fairly often since viewing them, and I certainly think there would be a significant overlap in their fans, if they manage to reach enough people to truly gain a fanbase (Dragged Across Concrete only played one week at a couple of theaters in New York City, and The Highwaymen has an – actually more advantageous for gaining viewership – almost exclusively online release on Netflix). They are both of the type of movies commonly (and usually unkindly) referred to as Dad Flicks, provided your dad is okay with some pretty harsh, abrupt violence. They each, in their own ways, evoke an earlier, more classical era of cinema – Dragged the mid-to-late ’70s, Highwaymen perhaps even earlier, to the new cinema of the late ’60s, i.e. the films of Sam Peckinpah from that era (as well, of course, as Arthur Penn’s Bonnie and Clyde). They are also two of the best movies I’ve seen so far this year.
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