Posts Tagged ‘film review’

Toning Down The Terror – Stephen King At The Movies

Posted 01 Nov 2016 — by Ezra Stead
Category Essay

By Ezra Stead 

carrieFew authors in the 20th century (or any time, for that matter) have been more frequently adapted for the movies than Maine’s favorite son, Stephen King. This Halloween season, instead of presenting a cross-section of my month’s viewing as I have in years past, I thought I’d offer a look at some (not nearly all) of those movie adaptations and the ways in which certain elements were changed from page to screen. More importantly, we’ll be exploring why those elements were changed (at least, to the best of my speculation). Specifically, many of these movies tend to tone down two things: violence (especially directed at children) and overtly supernatural elements.

SpoilerAlertLet’s start from the beginning. Carrie was King’s first published novel and, within two years’ time, the first movie adaptation of his work. Brian De Palma’s 1976 film is still the best adaptation that has been made of the book, and one of the best of all S.K. movies in general. However, even bloody Mr. De Palma softened the blow of Carrie’s destructive rampage a bit, though probably more for budgetary reasons than anything else. In the movie, we see Carrie burn down her school and blow up a car on her way home, but in the book she pretty much destroys the whole goddamn town on that walk home. The novel actually includes an official body count of 409, “with 49 still listed as missing,” which seems significantly higher than what we see in the movie. Read More

Ezra’s Top 10 Favorite Movies Of 2015

Posted 27 Feb 2016 — by Ezra Stead
Category Animation, Essay, Film Reviews, Movies I Didn't Get, Movies I Got

By Ezra Stead 

This is always a difficult thing to do, and this year, just like every other year, I left out plenty of movies I really like, even from the Honorable Mentions. This is a particularly interesting year in that I actually really like all the Oscar nominees that I’ve seen, which is relatively rare for me. Anyway, of the 107 new movies from 2015 I managed to see in time for this list, these are my (completely subjective) favorites.

Mad Max: Fury Road is a movie in the glorious pulp tradition of Robert E. Howard and Heavy Metal magazine, but it never feels derivative, even of its own source material1. MAD MAX: FURY ROAD – it’s always a treat to have really high expectations for a movie and then to see them exceeded. George Miller’s return to the wasteland of his career-defining trilogy is a perfect example of this phenomenon. The first time I saw it, though, Fury Road appeared to only meet my expectations, a rare enough feat in its own right. It was the second viewing that made me realize that this was not only my favorite movie of the year, but also my favorite Mad Max movie, and quite possibly my favorite movie of the last two decades. Then I saw it three more times in the space of about two weeks, and I noticed something new about it every single time. The rich, detailed world-building not only rewards but demands multiple viewings, and it’s a testament to Miller’s craft that the movie doesn’t rely on a lot of expository dialogue and other hand-holding devices to make sure the audience can keep up. Max Rockatansky’s world of “fire and blood” has its own language that is every bit as evocative and original as its eye-popping visuals: War Boys, Blood Bags, Bullet Farms, etc. This is a movie in the glorious pulp tradition of Robert E. Howard and Heavy Metal magazine, but it never feels derivative, even of its own source material (The Road Warrior being the original Mad Max movie it most closely resembles). What seems to be overlooked in all the talk about its incredible visual effects and stuntwork (which makes a better case than any movie I can think of for an Oscar category devoted to the people who risk their lives to make movies awesome) is the quality of the writing and performances. Charlize Theron and Nicholas Hoult are especially great, but there is also a surprising tenderness and depth to Tom Hardy’s performance as Max, a man of few words and great stoicism, and Melissa Jaffer managed to break my heart with just a few minutes of screen time as the Keeper of the Seeds. Critics and skeptics say this movie is just one long chase scene, which is reductive, but even if that were strictly true, complaining about that misses the point of how amazing it is that a movie this compelling could be made from a single long chase. Others might say it doesn’t belong in the Best Picture Oscar race because it’s not serious and important enough, but its themes of feminism and environmentalism are extremely relevant; they’re just not belabored to the point of didacticism. Fury Road’s vision of the destruction of the Old World, in which water was plentiful and “everyone had a show,” seems all too plausible, despite its over-the-top visual antics, and there’s a funny/scary comparison to be made between the film’s main villain, Immortan Joe, and a certain current Presidential candidate. I have no doubt this movie will ride eternal in Valhalla, shiny and chrome. It is perfect in every way.  Read More

The Unearthing – A Student Film Makes Waves In Minnesota

Posted 15 Feb 2016 — by Jason A. Hill
Category Film Reviews, Movies I Got

maxresdefaultThe Unearthing, directed, produced, edited, and flat-out hustled by Tristan James Jensen, is a coming-of-age, supernatural discovery film done on a shoestring budget that surprised a lot of filmgoers at this year’s Minneapolis-Saint Paul International Film Festival. The movie stars local actors Riley Yearly, Angelina Masciopinto, and Kaleb Miller. It was filmed on location in Stillwater, Minnesota. You can watch the trailer here.

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CHAPPiE – Blomkamp’s Latest Beatdown

Posted 10 Sep 2015 — by contributor
Category Film Reviews, Movies I Got

By Mike Shaeffer 

Chappie, USA / Mexico, 2015

Directed by Neill Blomkamp

CHAPPiE provides not only some intense escapism, but also a chilling look at what the day after tomorrow could bring if technology and power is placed in the hands of a corrupt and desperate police force. “People sleep peaceably in their beds at night only because rough men stand ready to do violence on their behalf.” ― George Orwell

In his 2009 feature-film debut, South African director Neill Blomkamp gave us the science fiction gem that is District 9, a stirring, gritty, and visually stunning allegory for how apartheid divided his home country. Blomkamp’s most recent foray into the science fiction genre, CHAPPiE, reflects one of society’s growing fears—the fear of a police force that has been granted greater technology, power, and room for corruption. With victims’ names like Michael Brown, Trayvon Martin, John Crawford, and Jordan Davis making the headlines this past year, movies like CHAPPiE provide not only some intense escapism, but also a chilling look at what the day after tomorrow could bring if technology and power is placed in the hands of a corrupt and desperate police force.  Read More

Beethoven – A Dog Hater’s Perspective

Posted 22 Aug 2015 — by Ezra Stead
Category Essay, Film Reviews, Movies I Got

By Ezra Stead 

Beethoven, USA, 1992

Directed by Brian Levant

Beethoven would seem, at first glance, to be the ultimate dog lover's movie, but it is arguably more enjoyable, and certainly more interesting on a subtextual level, to view it from the opposite perspective. I should start this off by saying that I am not truly a dog hater. Like virtually any human being, I have been known to find dogs charming in small doses, but I would never want to live with one, so I can relate to George Newton (Charles Grodin), the hapless protagonist / antagonist of Beethoven. This would seem, at first glance, to be the ultimate dog lover’s movie, but it is arguably more enjoyable, and certainly more interesting on a subtextual level, to view it from the opposite perspective.

The film stacks the deck against we dog haters from the beginning, opening on an ominously rainy night outside the “Pet Supply” warehouse where evil Dr. Varnick (Dean Jones) conducts his nefarious experiments on innocent puppies. A prime example of this deck-stacking occurs later in the film, when it is revealed just what Dr. Varnick has in mind for poor Beethoven: a munitions manufacturer wants him to “test” a new type of exploding bullet, to see the impact it makes on “big skulls.” While it can be argued that animal testing is worthwhile because of the potential human benefits gained from it, even the most dyed-in-the-wool dog hater would find it difficult to defend the scientific expediency of shooting a dog right in the goddamn face.  Read More

Johnny Dangerously – Sneaky Bastages With .88 Magnums

Posted 30 Jun 2015 — by contributor
Category Essay, Film Reviews, Movies I Got

By Mike Shaeffer 

Johnny Dangerously is riddled with sight gags.Johnny Dangerously, USA, 1984

Directed by Amy Heckerling

“I’ve been fulfilling a lot of people’s prophecies about me; I’ve become a real scumbag.” –Danny Vermin (Joe Piscopo)

In 1984, director Amy Heckerling (Fast Times at Ridgemont High, Clueless) gave us the comedy Johnny Dangerously, starring a dapper Michael Keaton, fresh off the success of Mr. Mom. Keaton’s performance in last year’s Birdman, which netted the Oscar for Best Picture, was one of his best. It was a delight revisiting his gangster persona to see just how well the actor and this gangster spoof have aged.

One of the first elements that establish this film as a gangster flick is the setting—the Lower East Side of New York City during the height of Prohibition. After a brief set-up introducing Keaton as our protagonist, we flash back to city streets filled with Studebakers, alleys ruled by an Irish mobster called Jocko Dundee, played with humor and charm by the late, great Peter Boyle (Young Frankenstein).  Read More

The Blues Brothers – Placement And Significance Of The Songs In A Landmark Comedy

Posted 08 May 2015 — by contributor
Category Essay, Film Reviews, Movies I Got

By Mike Shaeffer 

The Blues Brothers, USA, 1980

Directed by John Landis

The Blues Brothers doesn’t have the romantic tension and chemistry that Fred Astaire and Ginger Rogers delivered in classic Hollywood musicals like Top Hat; instead, you have the foul-mouthed banter of brothers Jake and Elwood shuffling and somersaulting their way into our hearts for the unapologetic antiheroes they are. “The crest and crowning of all good, life’s final star, is Brotherhood.” –Edwin Markham

First, let’s agree that most movie lovers would consider The Blues Brothers, foremost, a comedy. However, with the distinct and deliberate musical arrangement, the wide range of singing styles, and the infectious dancing performed throughout the ludicrous plot, we must also qualify this laugh-out-loud comedy as a musical.

The Blues Brothers doesn’t have the romantic tension and chemistry that Fred Astaire and Ginger Rogers delivered in classic Hollywood musicals like Top Hat; instead, you have the foul-mouthed banter of brothers Jake and Elwood shuffling and somersaulting their way into our hearts for the unapologetic antiheroes they are. This film doesn’t have all the long, unedited takes and top-notch choreography seen in musical masterpieces like Singin’ in the Rain, but I’ll be content to settle for Debbie Reynolds’ machine-gun toting daughter, Carrie Fisher, every bit as lovely and eternally scorned for being left at the altar by Jake.  Read More