Posts Tagged ‘film review’

Drive – Full Of Adrenaline

Posted 02 Nov 2011 — by Scott Martin
Category Film Reviews, Movies I Got

By Scott Martin

Drive, USA, 2011

Directed by Nicolas Winding Refn

Drive is one of the biggest sleepers of the year. If you watch Drive on a superficial level, you get a bad-ass action film – a slow burning, tightly paced one, at that – but if you watch it from a critical standpoint, you’ll notice more than one polite tip of the hat to Taxi Driver (1976), slight turns from Martin Scorsese’s directorial play-book by director Nicolas Winding Refn. Really, Drive could be viewed as a pastiche of action movies and westerns from the glory days of Hollywood in the 70′s and 80′s era.

Ryan Gosling has a skill for determining the darker aspects of characters that appear to be a little blank on paper. In 2001, he played a self-hating neo-Nazi Jew in Henry Bean’s The Believer; in 2010, he was a failing husband in Derek Cianfrance’s Blue Valentine (I really hope you all saw that); and here, he’s the wheel-man with no name. He goes by “the kid,” and that’s barely a term of endearment from the man who took him in. He has a hell of a job: he’s a stunt driver for the movies by day, and a getaway driver at night. Of course, he’s freelance all the way. When a producer needs a flawless car crash, he’s the guy, and when a mob king needs a flawless getaway, there’s nobody better. He works with a man named Shannon (Bryan Cranston) who gave him a job years before the movie (and the kid’s criminal activity) started. Read More

My Son, My Son, What Have Ye Done

Posted 31 Oct 2011 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

My Son, My Son, What Have Ye Done, USA / Germany, 2009

Directed by Werner Herzog 

My Son, My Son, What Have Ye Done, as the title suggests, is an extremely odd film. Completing a triptych of unconventional horror films by directors not known for making this type of film, I have decided to make Werner Herzog’s My Son, My Son, What Have Ye Done the subject of my final entry in my self-imposed Halloween Movie Month experiment. It’s an odd choice on which to go out, but that is fitting, as My Son is an extremely odd film, even for Herzog. To be honest, it’s kind of surprising that it’s taken me this long to see and write about the film, since it is the result of a dream collaboration between to of the weirdest filmmakers alive: co-writer/director Herzog and producer David Lynch. It is definitely not a horror movie in any traditional sense, though Herzog describes it on his official website as “a horror film without the blood, chainsaws and gore, but with a strange, anonymous fear creeping up in you.” Personally, I didn’t find it particularly frightening at all, but it is a rather fascinating portrait of increasing madness centered around a typically intense performance by the wild-eyed and always captivating Michael Shannon. Read More

Red State – A Welcome Departure From The Usual

Posted 28 Oct 2011 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

Red State, USA, 2011

Written and Directed by Kevin Smith

Red State shows Kevin Smith's surprising growth as a filmmaker, a vast departure from the type of film he usually makes. Last week in my Halloween Movie Month series, we took a look at The Skin I Live In, an unusual film from director Pedro Almodovar, who is not usually known for the kind of shock and horror seen in that film. I am always excited to see my favorite filmmakers stretch beyond what they normally produce and explore other genres. For years I have been wanting to see Wes Anderson tackle some sort of gothic horror story, for example, given his obsessively detailed visual style in films like The Royal Tenenbaums (2001), instead of retreading the familiar ground of his previous films; when he finally made the Roald Dahl adaptation Fantastic Mr. Fox in 2009, I applauded him for stepping (even slightly) in a different direction by directing an animated film. Similarly, I applaud Kevin Smith for stepping away from the talky, visually underwhelming comedies for which he is known with his latest film, Red State, a nasty, tense, visceral thriller that, while satirical and occasionally funny, is miles away from a comedy.

Red State is a cinematic middle finger to the vicious, hateful Fred Phelps and his Westboro Baptist Church, an organization best known for the highly tasteful and respectable practice of protesting funerals in order to garner controversy. They also recently decided to protest the funeral of Apple founder Steve Jobs, because, according to Phelps, he “had a huge platform [but] gave God no glory & taught sin,” a sentiment ironically expressed via Phelps’s iPhone. Phelps and his family and followers are true believers in the old adage that there is no such thing as bad publicity, and it is tempting (and very easy) to hate them right back, which is exactly what they seem to want. Though Phelps is eventually mentioned by name in the film’s narrative, his overt fictional surrogate is one Abin Cooper (Michael Parks), a malevolent, fire-and-brimstone preacher who looks a bit like a more diminutive Kris Kristofferson with eyeglasses. Cooper and his followers regularly hold demonstrations in which they hold up signs offering such charming sentiments as “Anal Penetration = Eternal Damnation.” Read More

The Skin I Live In

Posted 24 Oct 2011 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

The Skin I Live In, Spain, 2011

Written and Directed by Pedro Almodovar

Based on the Novel Tarantula by Thierry Jonquet

The Skin I Live In is Pedro Almodovar's best film since his 2002 masterpiece Talk to Her. Many are the times I’ve noticed over the years, and always to my (at least) mild irritation, the tendency of moviegoers to attend horror films in large groups of friends. This is presumably to numb the impact of the events onscreen, using the familiar “safety in numbers” approach to ward off all that scary stuff they all presumably paid to see in the first place. As if this weren’t bad enough, these unnecessarily large moviegoing groups (the number is usually at least four, and often they’ll take up an entire row of seats) feel the need to laugh at some of the scariest moments, or perhaps at the reactions of the most squeamish and easily frightened member of their troop to said moments. In case you were unaware, this is precisely the wrong way to see a horror film; it is akin to seeing a comedy alone and covering one’s ears during all the funny parts. In fact, it is far worse than that, because it actively distracts and undercuts the film’s impact for the rest of the audience. After all, it’s pretty hard to be sufficiently frightened by something at which people are audibly giggling nervously all around you. This is why I generally prefer to see horror movies by myself, late at night, in a dark room at home. Read More

Dean Koontz’s Phantoms

Posted 21 Oct 2011 — by Ezra Stead
Category Film Reviews, Movies I Didn't Get

By Ezra Stead

Dean Koontz’s Phantoms, USA, 1998

Directed by Joe Chappelle

Phantoms is a by-the-numbers bad horror movie with a compelling performance by Liev Schreiber. At the suggestion of a couple of fictional gentlemen by the names of Jay and Robert, as well as one close, non-fictional friend (hint: we co-wrote this movie together: http://moviesididntget.com/2011/05/30/james-vogels-the-city/, but he did not act in this one: http://moviesididntget.com/2011/09/19/wasted-on-the-young/) who recently reminded me of their recommendation, I decided to finally check out “Affleck [being] the bomb in Phantoms.” I can only assume all three parties were being highly sarcastic; after all, one of them was played by Kevin Smith, a longtime friend of Mr. Affleck, but not necessarily someone known for his unadulterated sincerity, Jersey Girl (2004) and the jail cell speech in the third act of Clerks II (2006) excluded.

Dean Koontz’s Phantoms is awful, in that special way in which films like Lawrence Kasdan’s 2003 Stephen King adaptation Dreamcatcher are awful. Author and screenwriter Dean Koontz is often considered the poor man’s King (Koontz fans, please note: I have not actually read any of his books, I am merely recording the popular consensus as I understand it), so it is fitting that Phantoms should have so much in common with that unintentionally hilarious travesty of cinema. Unfortunately, Phantoms lacks the over-the-top craziness of Kasdan’s film, and is therefore substantially less entertaining, albeit mercifully shorter. This is not to say there is no unintentional comedy to be found, as there certainly is, but overall the film is more of a by-the-numbers bad horror movie that lacks the overreaching ambition of the amazingly insane Dreamcatcher. It also borrows heavily from far better films such as Ridley Scott’s Alien (1979) and John Carpenter’s The Thing (http://moviesididntget.com/2011/10/07/john-carpenters-the-thing/), which only serves to remind the viewer how truly low-rent this already mediocre film is in comparison to those classics. Read More

Monkey Shines

Posted 17 Oct 2011 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

Monkey Shines, USA, 1988

Written and Directed by George A. Romero

Based on the Novel Monkey Shines by Michael Stewart 

Monkey Shines is quality entertainment from director George A. Romero. Much like famous rappers, great horror directors often do their best (or at least most well-received) work right out of the gate, only to spend decades laboring over increasingly diminished returns. Often this critical and/or commercial appraisal is unfair, but it is arguably true that, for example, Nas never again put out an album as good as his debut, Illmatic, or that John Carpenter has never equaled or exceeded his early work of the 1970s and ’80s, though his late-period Masters of Horror film, Cigarette Burns (2005), showed the kind of genius not seen in his films for about a decade up to that point. Tobe Hooper is another filmmaker who never quite lived up to the promise of his brilliant breakthrough feature, The Texas Chain Saw Massacre (1974), despite doing some pretty quality follow-up work such as Salem’s Lot (1979) and Poltergeist (1982), though of course producer Steven Spielberg is commonly recognized as the real creative force behind the latter.

George A. Romero is generally considered to be one of these unlucky filmmakers as well, and while it is true that he never topped his chilling debut feature, Night of the Living Dead (1968), there is a worthwhile body of work to examine in later decades, and his 1988 film Monkey Shines is among his best work, along with films like Martin (1976), Creepshow (1982) and, of course, the original Dead trilogy (I haven’t seen his latest, 2009′s Survival of the Dead, but based on the previous two – 2005′s Land of the Dead and 2007′s Diary of the Dead – I feel relatively comfortable relegating the new Dead trilogy to the same scorn-pile as the new Star Wars trilogy). Read More

Gorgeous Camp, Campy Gore – Three Films By Dario Argento

Posted 14 Oct 2011 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

The Phantom of the Opera is a film Dario Argento was born to make. The Phantom of the Opera, Italy, 1998

Jenifer, USA, 2005

Pelts, Canada / USA, 2006

Directed by Dario Argento

Italian filmmaker Dario Argento is widely known among horror fans as a distinctive, sadistic auteur, a director who has found beauty in terror and mutilation with films such as Suspiria (1977), Inferno (1980) and Opera (1987). It is often forgotten that he also helped write one of the greatest Westerns of all time, Sergio Leone’s Once Upon a Time in the West (1968), but that makes sense, as he has devoted his career as a director to the creepily atmospheric and macabre, delighting in tales of the supernatural and visions of brutal but creative murder. Suspiria is generally considered to be his masterpiece (and it is certainly one of the prettiest horror films I’ve ever seen) and I actually like Opera even more in many ways, but this entry in my ongoing Halloween Movie Month (HMM … yeah, I like that acronym better) series will focus on three newer films with which I recently caught up, including his two contributions to Mick Garris’s always intriguing Masters of Horror series. Read More