By Ezra Stead

By Ezra Stead
By Ezra Stead
As always, it is important to stress that this list is a compilation of my ten personal favorite movies of the year, and not necessarily the “best,” though I do consider the top three to be timeless, unassailable classics. The bottom three are, on the other hand, a few that I feel have not gotten the love they deserve on lists like this one. 2019 saw feature film conclusions to two of my all-time favorite television series in Deadwood and El Camino, both of which I considered for this list before ultimately deciding to count them as TV in order to make room for other, equally worthy movies. It is a bit of a cheat, necessary because of the difficulty of ranking my ten favorites out of the 113 movies I managed to see in 2019, so allow me to indulge in a bit more cheating….
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By Ezra Stead
Pet Sematary, USA, 2019
Directed by Kevin Kolsch & Dennis Widmyer
I would never recommend reading a movie review without having first seen the movie in question for yourself, but I would also never dream of spoiling the plot of a movie I review without providing a fair warning. So if you are somehow unfamiliar with the basics of Pet Sematary (come on, you’ve had thirty years to see the original movie, and thirty-five to read the book – what are you even doing with your life?), consider this your warning to stop right here and rectify that.
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By Ezra Stead
Diary of a Serial Killer, USA, 1998
Directed by Joshua Wallace
Right from the opening frame of the 1998 straight-to-video thriller Diary of a Serial Killer (also known as Rough Draft), it’s obvious the viewer is in for a cheesy affair. The score, with its heavy saxophone wailing and bombastic drum-machine track, feels more like something from the ’80s rather than the late ’90s, and the rest of the movie feels the same way. Our protagonist, Nelson Keece (Gary Busey) is introduced dressed in drag that is, while certainly not convincing, enough to render the distinctive-looking actor practically unrecognizable. In fact, he actually seems to be enjoying these early scenes more than the rest of the movie, and it almost makes you wonder if maybe he chose this project out of bitterness that he wasn’t included in the cast of To Wong Foo, Thanks for Everything! Julie Newmar, alongside his Point Break co-star Patrick Swayze (and his Drop Zone co-star Wesley Snipes). Read More