Posts Tagged ‘Hugh Dancy’

Hysteria

Posted 02 Jul 2012 — by contributor
Category Film Reviews, Movies I Got

By Alice Shindelar

Hysteria, UK / France / Germany / Luxembourg, 2011

Directed by Tanya Wexler

Hysteria serves up a particularly dark period of feminine history and covers it in doilies and pink sparkles, until macabre 19th-century England coughs out an unlikely romantic comedy with yet another clumsy male lead and a punchy female love interest. Hysteria, directed by Tanya Wexler, serves up a particularly dark period of feminine history and covers it in doilies and pink sparkles, until macabre 19th-century England coughs out an unlikely romantic comedy with yet another clumsy male lead and a punchy female love interest. Worse yet, it’s not clear this film is a romantic comedy until the third act.

When I caught wind that a film with Maggie Gyllenhaal about the invention of vibrators would soon be released, Hysteria jumped to the top of my list of movies to see. The story follows Mortimer Granville (Hugh Dancy), a progressive young doctor who insists on washing his hands before operating on a patient, a revolutionary move at the time. Out of work, Granville applies for a job at the top clinic in London serving women with hysteria. His employer, Dr. Robert Dalrymple (Jonathan Pryce) informs him “half the women in London are effected.” For close to 2,000 years of European history, hysteria referred to a catch-all medical condition thought to cause everything from depression, to headaches, to a disinterest in copulation with one’s 30-second husband, a.k.a. any woman who wasn’t happy with a life of childbirth, corsets, and overall slavery to men.  Read More

Martha Marcy May Marlene

Posted 22 Apr 2012 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

Martha Marcy May Marlene, USA, 2011

Written and Directed by Sean Durkin

Martha Marcy May Marlene is an excellent, haunting film from first time writer-director Sean Durkin. Martha Marcy May Marlene is a wonderfully disquieting and haunting film, disturbing as much for what it doesn’t show us as for what it does. First-time director Sean Durkin gives us the story in disjointed bits and pieces, moving seamlessly back and forth in time in a way that puts the viewer fully into the confused head-space of its protagonist, Martha (Elizabeth Olsen, who handily proves with this one performance that she is by far the most talented of her sisters, who include the famous twins, Mary-Kate and Ashley). The film’s style gives it an almost documentary-like immediacy similar to recent films like Antonio Campos’s Afterschool or Jonathan Demme’s Rachel Getting Married (both 2008). The similarity to Afterschool is no coincidence, as Durkin was a producer on that film, and Campos is credited as producer on this one; together, they are proving to be a formidable filmmaking team, and certainly one to watch in the coming years. Read More