Posts Tagged ‘keanu reeves’

Hollywood Repeats Itself – Dark City & The Matrix

Posted 27 May 2011 — by Ezra Stead
Category Essay, Film Reviews, Movies I Got

By Ezra Stead

Dark City, Australia / USA, 1998

Directed by Alex Proyas

The Matrix, USA / Australia, 1999

Written and Directed by The Wachowski Brothers

Dark City is a stunning visual feast, and a fascinating exploration of the nature of reality.

The more things change, the more they stay the same. A cliché, admittedly, but the truth of the aphorism cannot be denied. In the two films we are about to examine, humanity teeters on the brink of disaster in two seemingly disparate space-time continua. The similarities between these two films, however, vastly outweigh the differences. In Alex Proyas’s Dark City (1998), we are presented with a haunting vision of a seemingly familiar world that has actually been fabricated by a group of inhuman creatures that prey on human memories. Sound familiar? It should. One of the most popular films of 1999, Larry and Andy Wachowski’s The Matrix, has a very similar premise, and the similarities extend to specific characters and plot points.

There are differences, of course; mostly financial ones. The Matrix is less opaque, more readily accessible to masses of moviegoers. Its slick, computer-generated special effects are more pleasant to view – if somewhat less visceral – than Dark City‘s gritty, film noir atmosphere of doom and entrapment. Likewise, Matrix‘s villains are ostensibly less sinister (at least, in their guise as government agents) than City‘s bald, pale, trenchcoat-clad “Strangers.” Beneath the disguises, though (the Strangers use human corpses as vessels), the true villains in both films are pretty much the same: slimy, tentacled alien monsters that die when their vessels are destroyed.  Read More

A Scanner Darkly – Reaching Too Hard For Nothing

Posted 22 Aug 2010 — by contributor
Category Film Reviews, Most Confusing Films of All time, Movies I Didn't Get

By Corey Birkhofer

A Scanner Darkly, USA, 2006

Written and Directed by Richard Linklater

Based on the Novel A Scanner Darkly by Philip K. Dick

keanu reeves robert downy jr

Richard Linklater has always been a filmmaker who has impressed me. Since Slacker (1991) set the stage for his later work, he has gone from one unique film to the next, helping to put Austin, Texas, on the filmmaking map as well as carving out an eclectic career for himself.

About 10 years ago, when I was just starting out in university, a little film with incredibly impacting visuals suddenly came out of nowhere. This was none other than Waking Life (2001), a film that set highly intellectual and downright ridiculous conversations as the stage for a main character who went to sleep and couldn’t wake up. Simple, but brilliant. For my (at the time) 19-year-old, pretentious mind, this film was a smorgasbord of content for late-night coffee shop discussions about the existentialism of life, what dreams really are, and so much more.

Visually speaking, the film took an incredibly new approach to animation, layered over the top of live-action actors, called “rotoscoping.” So here Linklater was, making a relatively inexpensive feature animation using one-chip mini-DV cameras and then rotoscoping rich color palettes and layer upon layer of animation, one frame at a time. Revolutionary. And the result provided for an eerie, almost too-real form of storytelling because the animation was painted on top of real human subjects.

I think it’s safe to say I wasn’t the only one so deeply influenced by Linklater’s venture into animation, nor would I say that all those who loved Waking Life weren’t just as excited as me to see Linklater’s second stab at the rotoscope style of animation in his new film, A Scanner Darkly.

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