Posts Tagged ‘Melancholia’

Ezra’s Top 10 Favorite Films Of 2011

Posted 01 Jul 2012 — by Ezra Stead
Category Essay, Film Reviews, Movies I Got

By Ezra Stead

The Artist is a relentlessly entertaining love letter to silent film and cinema in general. Well, it’s that time once again, and as always, I didn’t get around to a lot of the films I would have liked to see – as I write this, a DVD of Woody Allen’s Midnight in Paris sits on my desk, glaring at me – but there comes a time when every movie lover has to call it a year. I have somewhat arbitrarily picked today as that time, so here now are my top 10 favorite films of 2011:

 

# 10) MELANCHOLIAanyone with whom I talk movies already knows how much I love Lars von Trier, and though this is definitely not my favorite of his films (2003’s Dogville still takes that honor), it is nonetheless a striking and powerful depiction of the nature of depression, as well as a highly unusual and compelling look at what the impending apocalypse might feel like. The stunning opening and closing sequences alone make this film impossible to ignore, or to forget.  Read More

Lars Von Trier’s Melancholia

Posted 22 Apr 2012 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

Melancholia, Denmark / Sweden / France / Germany, 2011

Written and Directed by Lars von Trier

Melancholia is a very difficult and challenging film, and I can't honestly say I enjoyed every moment of it, but enjoyment is hardly the point when dealing with such a deep and intelligent examination of despair. Lars von Trier’s latest is by no means my favorite of his films, but I do feel much more charitable about than he apparently does. Here is what the great Danish artist / provocateur has to say, excerpted from his statement on the film’s official website: “This is cream on cream. A woman’s film! I feel ready to reject the film like a transplanted organ … I am confused now and feel guilty. What have I done? Is it ‘exit Trier?’ I cling to the hope that there may be a bone splinter amid all the cream that may, after all, crack a fragile tooth … I close my eyes and hope!”

As gifted a filmmaker as von Trier certainly is, he doesn’t seem to quite have the knack for self-promotion. Then again, this could be yet another example of the perverse, impish delight he seems to take in his own self-destruction, as most recently evidenced in his controversial “I am a Nazi” joke at this year’s Cannes Film Festival. This is oddly appropriate to Melancholia, which, as the title suggests, is largely about the mysterious, fascinating pull of deep, all-encompassing depression, as well as the beauty and peace to be found in the complete destruction of absolutely everything. In fact, the latter – the incredibly gorgeous apocalyptic images that bookend the film – mainly functions as a metaphor for the former. The planet Melancholia, which has supposedly been “hiding behind the sun,” threatens to destroy all life on Earth as it draws near, yet it is also described as the most beautiful sight we will ever see. Depression may be always lurking just behind the nurturing light of life, but when it finally shows itself, we find that it is more absorbing and actually enjoyable, in a perverse way, than happiness. Read More