Posts Tagged ‘Michael Murphy’

Manhattan – Not the One I Know, Woody

Posted 31 Jul 2013 — by Ezra Stead
Category Film Reviews, Movies I Didn't Get

By Ezra Stead

Manhattan, USA, 1979

Directed by Woody Allen

Manhattan is beautifully shot an well-acted, but also pretentious and self-absorbed. In the interest of returning this site to our original mission statement of “Movies I Didn’t Get,” I am now going to take on a film that is generally considered to be something of a sacred cow. I have had a long and tumultuous relationship with the films of Woody Allen, partly because, even more than the average artist, his personal life is so very intertwined with his work. Even when not playing the lead character himself, as he so frequently does, Woody’s protagonists are generally thinly veiled (or not at all veiled, as he says in the underrated 1997 film Deconstructing Harry) versions of himself, and the stories he tells are often segments of his own life story. At his best (Annie Hall, Stardust Memories, Hannah and Her Sisters), he produces smart, funny, insightful work that truly captures the human condition in a universal way. At his worst (Celebrity, the dreadfully overrated Midnight in Paris), his work can be insufferably self-absorbed and pretentious. Though the critical establishment would appear to strongly disagree with me on this, I find Woody’s 1979 “masterpiece” Manhattan to be mostly in this latter camp.  Read More

Six Months On A Regimen Of Woman Filmmakers – Sarah Polley

Posted 21 Jul 2012 — by contributor
Category Essay, Film Reviews, Movies I Got

By Alice Shindelar

Sarah Polley has a knack for symbolism that would seem superfluous in dialogue, too on-the-nose, but which plays out beautifully in her imagesAway from Her, Canada / UK / USA, 2006

Written and Directed by Sarah Polley

Based on the Story The Bear Came Over the Mountain by Alice Munro

Take This Waltz, Canada / Spain / Japan, 2011

Written and Directed by Sarah Polley

Once in a while, an artist comes along who gives voice to your world, to your experience of life, better than you can imagine ever being capable of, and you’re left exposed. Young writer-director Sarah Polley did this to me with her second film, Take This Waltz, and then again when I subsequently saw her first film, Away from Her.

Away from Her, Polley’s faithful adaptation of Alice Munro’s short story The Bear Came Over the Mountain, follows Grant (Gordon Pinsent) as he watches Fiona (Julie Christie), to whom he’s been married since their twenties, descend into the throes of Alzheimer’s Disease. Forgotten, Grant travels through memories of their marriage as he stands by and watches his wife love a fellow patient at the nursing home, Aubrey (Michael Murphy). Like all marriages, Grant and Fiona’s wasn’t a perfect one, but the moments we spend with them in their home before she’s checked into the hospital, their quiet hours, the spark of lust between them that doesn’t need to lead to sex before they sleep, provides witness to the survival of their love – a weathered love. Amongst many other awards, Julie Christie (Darling, Dr. Zhivago) was nominated for an Oscar for her role as Fiona. She nails the role in her ability to let Fiona’s memories fall away with a grace that appears so effortless one cannot doubt the fear and pain she must feel. When you witness the maturity and insight with which this story is told, it’s next to impossible to believe that Polley was only 26 when she made it, and to top it off, it was her first feature.  Read More