Posts Tagged ‘Michelle Williams’

MIDG 4th Annual Oscars Predictions Podcast For The 89th Academy Awards

Posted 24 Feb 2017 — by Jason A. Hill
Category Film Industry News, Film Reviews, Hollywood Beat, Movies I Didn't Get, Movies I Got

Hosted by Ezra Stead with special guests: Jason A. Hill, Alan Tracy and Pete K. Wong.

The MIDG Oscars Podcast, 2017 edition.

Oscar discussion and predictions for the show Sunday night, February 26th, on ABC.

 

 

 

Duration: 2 hours and 9 minutes.

 

Intro Music: LA LA Land “Another Day Of Sun”

Outro Music: The Neon Demon “Runaway”

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Ezra’s Top 10 Favorite Films of 2012

Posted 15 Feb 2013 — by Ezra Stead
Category Essay, Film Reviews, Movies I Didn't Get, Movies I Got

By Ezra Stead

The Grey is nothing but desolate Alaskan wilderness and people being brutally murdered by wolves for two hours. What's not to love?I’ve been making these lists, in one form or another, for a dozen years now, and every year I’ve done my best to balance my own personal preferences with an objective and educated view of cinema in order to recommend not only my personal favorite films of any given year, but also those I believe to be the best. Well, no more! This year, and forever onward, I strive to give you only my own subjective favorites, the films that I have watched and am likely to watch over and over again throughout the years. When I look back over the last five years, for example, I have to admit that these have proven to be my actual favorite films, despite what I may have written at the time in an effort to recognize other worthy cinematic achievements to which I may or may not have returned even once in the years since: The Assassination of Jesse James by the Coward Robert Ford (2007); The Dark Knight (2008); Inglourious Basterds (2009); Dogtooth (2010); and Drive (2011).

Of those five, only Dogtooth actually topped my list at the time. So, with this in mind, I present my favorite films of 2012, in all their highly subjective glory. Since ranking films in order of preference is often at least somewhat arbitrary, I should admit that some of these may have made it into the top 10, rather than the runner-up category, solely because they were more fun to write about. However, my top 5 is solidly made up of films I have already seen at least twice, and feel strongly that I would be more than happy to watch again at absolutely any time. Read More

Six Months On A Regimen Of Woman Filmmakers – Sarah Polley

Posted 21 Jul 2012 — by contributor
Category Essay, Film Reviews, Movies I Got

By Alice Shindelar

Sarah Polley has a knack for symbolism that would seem superfluous in dialogue, too on-the-nose, but which plays out beautifully in her imagesAway from Her, Canada / UK / USA, 2006

Written and Directed by Sarah Polley

Based on the Story The Bear Came Over the Mountain by Alice Munro

Take This Waltz, Canada / Spain / Japan, 2011

Written and Directed by Sarah Polley

Once in a while, an artist comes along who gives voice to your world, to your experience of life, better than you can imagine ever being capable of, and you’re left exposed. Young writer-director Sarah Polley did this to me with her second film, Take This Waltz, and then again when I subsequently saw her first film, Away from Her.

Away from Her, Polley’s faithful adaptation of Alice Munro’s short story The Bear Came Over the Mountain, follows Grant (Gordon Pinsent) as he watches Fiona (Julie Christie), to whom he’s been married since their twenties, descend into the throes of Alzheimer’s Disease. Forgotten, Grant travels through memories of their marriage as he stands by and watches his wife love a fellow patient at the nursing home, Aubrey (Michael Murphy). Like all marriages, Grant and Fiona’s wasn’t a perfect one, but the moments we spend with them in their home before she’s checked into the hospital, their quiet hours, the spark of lust between them that doesn’t need to lead to sex before they sleep, provides witness to the survival of their love – a weathered love. Amongst many other awards, Julie Christie (Darling, Dr. Zhivago) was nominated for an Oscar for her role as Fiona. She nails the role in her ability to let Fiona’s memories fall away with a grace that appears so effortless one cannot doubt the fear and pain she must feel. When you witness the maturity and insight with which this story is told, it’s next to impossible to believe that Polley was only 26 when she made it, and to top it off, it was her first feature.  Read More

Ezra’s Top 10 Favorite Films Of 2011

Posted 01 Jul 2012 — by Ezra Stead
Category Essay, Film Reviews, Movies I Got

By Ezra Stead

The Artist is a relentlessly entertaining love letter to silent film and cinema in general. Well, it’s that time once again, and as always, I didn’t get around to a lot of the films I would have liked to see – as I write this, a DVD of Woody Allen’s Midnight in Paris sits on my desk, glaring at me – but there comes a time when every movie lover has to call it a year. I have somewhat arbitrarily picked today as that time, so here now are my top 10 favorite films of 2011:

 

# 10) MELANCHOLIAanyone with whom I talk movies already knows how much I love Lars von Trier, and though this is definitely not my favorite of his films (2003’s Dogville still takes that honor), it is nonetheless a striking and powerful depiction of the nature of depression, as well as a highly unusual and compelling look at what the impending apocalypse might feel like. The stunning opening and closing sequences alone make this film impossible to ignore, or to forget.  Read More

My Week With Marilyn

Posted 22 Apr 2012 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

My Week with Marilyn, UK / USA, 2011

Directed by Simon Curtis

My Week with Marilyn is a solid biopic buoyed by an excellent performance from Michelle Williams. Marilyn Monroe was my first real crush, even before I really knew what a crush was. I grew up on old movies, which is probably the reason I still find the image of a woman smoking with a cocktail in the other hand extremely sexy, and no woman on the silver screen from that golden era long before I was born held the mysterious, seductive allure of Marilyn. Three of her films in particular were my childhood obsessions: Otto Preminger’s River of No Return (1954), Billy Wilder’s Some Like It Hot (1959) and John Huston’s The Misfits (1961), which turned out to be her final feature. Of course, there were other favorites, especially Howard Hawks’ Monkey Business (1952) and Wilder’s The Seven Year Itch (1955), but those three really captured her sweet vulnerability, her almost oblivious sensuality, and the soft sadness behind her alluring smile, an indication of the hard life she had lived and, as my young mind and these films dared to hope, had now left behind. In reality, of course, poor Marilyn’s life only got harder, until it was snuffed out all too soon. Read More