Posts Tagged ‘Psycho’

Spooktober 2017: The Return

Posted 28 Oct 2017 — by Ezra Stead
Category Essay, Film Reviews

By Ezra Stead 

As always, I am not finished almost exclusively watching horror movies for the year, nor will I be once Halloween night has come and gone; this will likely continue throughout November. However, in the interest of providing this list with some sort of seasonal relevance, now is the time to tell you about a handful of the movies I’ve watched so far in this, the best of all possible seasons. As it happens, this year I ended up watching a high percentage of iconic franchise entries, so, forsaking some other great ones I discovered that don’t fit into this category (Pretty Poison and The Blackcoat’s Daughter in particular are a couple of real gems), let’s take a look at some noteworthy sequels, in the order in which I viewed them.

CULT OF CHUCKY—I don’t think any horror franchise in movie history has reinvented itself so drastically as this one. The success of the original Child’s Play (1988) led to two more of the same, basically, before series mastermind Don Mancini took it into full meta-comedy mode with Bride of Chucky in 1998, following that up with the unfairly maligned Seed of Chucky in 2004. Curse of Chucky came along in 2013 to bring the series back to real horror, with fewer nudges and winks, and with this latest entry, Mancini has struck the perfect balance, and made the best Chucky movie since Bride, at least. It’s rare for the seventh entry in a franchise to be this good.
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5 Remakes That Are (Arguably) Better Than The Original

Posted 03 Dec 2013 — by Ezra Stead
Category Essay, Film Reviews, Movies I Got

By Ezra Stead

Invasion of the Body Snatchers is a truly frightening film, the rare remake that lives up to its source material.Remakes of classic films have an even worse track record than sequels when it comes to relative quality. Whether they change everything and ruin the whole idea (Frank Oz’s 2004 Stepford Wives remake) or remain slavishly faithful to the original (Gus Van Sant’s 1998 Psycho remake), most remakes have great difficulty in justifying their own existence, let alone surpassing the original. Here are five that achieve this rare feat.

10 Remakes That Are (Arguably) Better Than The Original1. INVASION OF THE BODY SNATCHERS (1978) – this is the only one on the list that I wouldn’t argue is definitely better than the original, but it’s pretty damn close. Transposing the McCarthy-era paranoia of Don Siegel’s 1956 classic to the pre-Reagan era, Philip Kaufman’s remake presents an even darker vision, complete with a chilling ending in the spirit of the one Siegel had originally envisioned for his film, before the studio interfered to happy it up a little. Featuring great performances by Donald Sutherland, Jeff Goldblum and Leonard Nimoy, and state of the art special effects for the time, this is a truly frightening film, the rare remake that lives up to its source material.  Read More

Movie Haiku

By Ezra Stead

Akira is the greatest animated film of all time. Let’s stray from the beaten path for awhile, shall we? Instead of a review in the usual format, today I’d like to offer up thoughts on over 25 films, mostly some of my favorites, but with a few that I love to hate thrown in for good measure. Only a few of these actually work as reviews; most are free-form poetic interpretations of the feelings they brought up in me. Some are just plain silly. At any rate, all are written in the form of the ancient Japanese art of haiku. For those who don’t know, that means five syllables in the first line, seven in the next, and another five in the last, preferably with some sort of twist in the last line or, failing that, at least a sense of poetry throughout. Almost all of these were written sometime in 2005, which explains why there are three inspired by Frank Miller’s Sin City, my favorite film that year. Let’s begin with a couple of actual Japanese films:

 

The net is vast and / infinite. Now that we two / have merged, where to go?
Ghost in the Shell (1995)

Tetsuo – not the / Iron Man, but a bike punk / transcends earthly life.
Akira (1988)  Read More

Friday The 13th (1980) – Everybody Looking Forward To The Weekend

Posted 03 Jul 2011 — by contributor
Category Film Reviews, Movies I Got

By Scott Martin

Friday the 13th, USA, 1980

Directed by Sean S. Cunningham

Friday the 13th - a film that delivers what it promises. Alfred Hitchcock created the genre: the “slasher” picture. It was 1960, and the film was Psycho. If we wanted to stretch that fact, we can claim that the original slasher film was a small, yet admittedly scary, film called Peeping Tom, directed by Michael Powell. It was released only a few months before Psycho, but didn’t have nearly the same impact on audiences, or critics. Psycho soared to the top, and Peeping Tom was left to be later rediscovered and revered. Hitchcock, without intention, birthed a new era of horror film that wouldn’t come into its prime until 1974 with the release of Bob Clark’s Black Christmas.

Black Christmas redefined what Hitchcock had started, and set the rules in stone: a mentally unhinged masked killer stalks attractive teens and picks them off, one by one, in creative ways. After Black Christmas, then came John Carpenter’s Halloween (1978), which cemented the popularity of the genre. After Halloween was a critical and financial success, studios ran with the idea that they could make money selling “dead teenager movies” (a term coined by Roger Ebert) to live teenagers. They were right, and in 1980, the first studio-backed slasher film was released. It was May 9th, and it was Friday the 13th. Read More

Insidious

Posted 13 May 2011 — by Nicole P
Category Film Reviews, Movies I Got

By Scott MartinInsidious Film Poster

Insidious, USA, 2010

Directed by James Wan

There’s a sense of familiarity in a movie like Insidious. Horror movies these days are a dime a dozen, but Insidious‘s familiarity comes from a deeper place; it comes from true classics like Poltergeist (1982) or even Paranormal Activity (2007), whose producers helped get this film done. Those films work because they have a handle on their atmosphere, something every good horror film has. If you can’t control the tone of your film, how can you hope to control the tone of your audience? The answer to that seems easy – that’s why films like John Carpenter’s The Fog (1980) get remade, and films like Boogeyman (2005) are conceived every day. Tell some audiences to be afraid, and naturally they will be. An example of making your audience afraid, rather than simply suggesting their fear, is a Japanese film called Ju-on (2002), later remade in 2004 as The Grudge to, arguably, the same effect. An even better example is Alfred Hitchcock’s Psycho (1960).

Screenwriter Leigh Whannell is similar to a magician pulling a rabbit out of his hat; the effect comes from left field and the audience was probably told not to expect a rabbit in the first place. I remember watching the first Saw film (2004) and being blind-sided by the ending. After rewatching the film, I remember being blind-sided by the conditions under which the ending works. Twist endings, by nature, aren’t organic, but they can feel that way even if they are dependent on the rest of the film and a bit of smoke and mirrors. There is a twist here that some might see coming. The trickiest part to pulling off a twist ending is to get the audience too wrapped up in what’s going on to even remember that there’s an end. Good horror films with big finishes can do that; most of those get ruined with a sequel or a remake. Read More