Posts Tagged ‘Rachel McAdams’

Love Crime & Passion – Do You Want Taut Suspense Or Lurid Ridiculousness?

Posted 19 Sep 2013 — by Ezra Stead
Category Film Reviews, Movies I Didn't Get, Movies I Got

By Ezra Stead

Love Crime, France, 2010

Directed by Alain Corneau

Passion, Germany / France, 2012

Directed by Brian De Palma

Love Crime is a taut, compelling thriller with a subtle element of sexual tension mixed in with its clever revenge scheme. It was probably a mistake on my part to watch both of these films within the same week, seeing as how they are very similar in plot and incident throughout the first two acts of each film. However, when I heard that Brian De Palma’s latest film was actually a remake of a fairly recent French thriller I had been meaning to see anyway, and that the original film was readily available to stream on Netflix, I decided “Why not?” I say it was a mistake mainly because I think I would have enjoyed De Palma’s film, Passion, more if the many elements directly adapted from the earlier Alain Corneau film, Love Crime, had been entirely new to me. I also feel that those elements were better handled in the original film, a taut, suspenseful, supremely clever thriller upon which De Palma apparently felt he could improve by adding a lot of his classically lurid, dreamlike De Palma flourishes, as most recently seen in the far superior Femme Fatale (2002) and the definitely inferior The Black Dahlia (2006). Read More

To The Wonder – Beautiful, Searching, Boring

Posted 08 Sep 2013 — by Ezra Stead
Category Film Reviews, Movies I Didn't Get

By Ezra Stead

To the Wonder, USA, 2012

Written and Directed by Terrence Malick

To the Wonder lacks any emotional connection, which would seem to be beneficial to a film about the loss of both love and faith. Terrence Malick is one of the most distinctive and impressive filmmakers alive, and at his best, he makes beautiful, poetic films that evoke universal feelings that touch the shared humanity in us all. At his worst, however, he makes beautiful, poetic films that reach for the profound and universally significant, but manage only to alienate and bore the viewer. I’ll leave it to you to decide which of his previous five films are which, but for me, his latest, To the Wonder, is decidedly one of the latter. When I first saw the trailer for this film, I remember thinking it looked like somber self-parody, and on the second viewing of said trailer, I actually counted the number of wheat fields and searching, wistful looks, coming up with at least eight of each. I’ll say this for that trailer: though it didn’t particularly make me want to see the film it advertised, it was certainly an accurate representation. Read More

Midnight In Paris – Casts A Weak Spell

Posted 01 Jul 2012 — by Ezra Stead
Category Film Reviews, Movies I Didn't Get

By Ezra Stead

Midnight in Paris, Spain / USA, 2011

Written and Directed by Woody Allen

Midnight in Paris is the epitome of a lowbrow-highbrow movie, a film that makes its audience feel smart without ever actually being challenging or unpredictable. Woody Allen’s latest love letter to his favorite European city is the epitome of a lowbrow-highbrow movie, a film that makes its audience feel smart without ever actually being challenging or unpredictable. It starts out promisingly enough, with a gorgeous montage of Paris locales courtesy of the great cinematographer Darius Khondji (The City of Lost Children, Se7en) and a whimsical, mood-setting score by Stephane Wrembel, who previously contributed music to Allen’s Vicky Cristina Barcelona (2008). Then, over the trademark Woody Allen credits on a black screen, the talking begins, and the film’s problems along with it.  Read More