Posts Tagged ‘Robert Rodriguez’

Ezra’s Spooktober 2015

Posted 28 Oct 2015 — by Ezra Stead
Category Essay, Film Reviews

By Ezra Stead 

A Nightmare on Elm Street 2: Freddy's Revenge is probably my second favorite one in the series, after Craven's original, of course. I’ve decided not to get quite so carried away this time around, but as I said last year, October is my favorite month. Since I tend to watch a lot of horror movies year-round, in October I feel like I have to do something special, so I try to watch almost exclusively horror movies. I watched (or, in many cases, re-watched) a total of 22 before starting this article, and I’m far from finished. In the interest of actually recommending some movies before Halloween, I’m putting this out now, and in the interest of brevity, I’m cutting it down to ten recommendations, grouped together as double features (even though their availability varies a bit). Not all are horror movies, exactly, but I think you’ll agree they’re all on-theme for the season. Enjoy!¬† Read More

Blank City

Posted 02 May 2011 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

Blank City, USA, 2010

Directed by Celine Danhier

Blank City is a lively, well-made documentary of a bygone era.

Celine Danhier’s documentary Blank City is an invigorating love letter to a bygone era, a time when guerrilla filmmakers ran wild in the streets, freely shooting their cinematic visions without the hindrance of Hollywood extravagances like permits, budgets and stars. It is the kind of film that inspires not only nostalgia, but also a forward-thinking desire to follow in the footsteps of its many sometimes deranged but always passionate and interesting subjects. It is a lively documentary, one that celebrates life and manages to revel in nostalgia without ever getting sappy about it.

Blank City follows the rise and eventual fall (or, at least, evolution) of the so-called “No Wave” independent filmmaking scene of New York City in the late 1970s and beyond. A few of the renegades seen in the film went on to become famous and successful – perhaps the biggest names interviewed for the film are John Waters, Jim Jarmusch and Steve Buscemi (Vincent Gallo is also seen in archival footage) – while others remain noteworthy cult figures, highly respected in some circles, but far on the fringes of mainstream renown – Lydia Lunch, Richard Kern, John Lurie. Many of the rest faded completely into obscurity, but the legacy of their approach to filmmaking can be seen in some of today’s indie cult success stories made on extraordinarily low-budgets; the DIY approach advocated by this film’s subjects can easily be seen in the making of films like Robert Rodriguez’s El Mariachi (1992), Kevin Smith’s Clerks (1994), and Daniel Myrick and Eduardo Sanchez’s The Blair Witch Project (1999), to name just a few. Read More