Posts Tagged ‘Roger Michell’

Frost/Nixon – The Reductive Power Of The Close-Up

Posted 16 Jul 2011 — by contributor
Category Film Reviews

By Scott Martin

Frost/Nixon, USA / UK / France, 2008

Directed by Ron Howard

Frost/Nixon is a 2008 historical drama film based on the 2006 play by Peter Morgan which dramatizes the Frost/Nixon interviews of 1977. By now, we’re all familiar with the story. Some of us have been fortunate enough to see the original interviews that inspired the Broadway play by Peter Morgan, which in turn served to inspire Ron Howard’s film, which plays itself out like a boxing match, so much so that Nixon is shown jogging in place in a track suit before the final interview. The underdog of the match is David Frost, a once famed but at that time practically defunct English talk show host, relegated to the kind of fare you might see on E! on a Saturday morning, in Australia. Richard Nixon, the man, was out of office and essentially hiding in his home in San Clemente at the time; Richard Nixon, the President, was no more – resigned, pardoned, and reviled by the majority of the American public.

I’ve always been a big fan of films that pit two intelligent men against one another. Roger Michell’s Changing Lanes (2002) is a personal favorite, as is Oliver Hirschbiegel’s Five Minutes of Heaven (2009), a terribly underseen film starring Liam Neeson. Christopher Nolan’s The Prestige (2006) is worth a mention as well. You can’t technically call this a cat-and-mouse film, as there’s no physical chase, but the mentality of the film might suggest otherwise. Nixon is set up as a heavyweight taking down a featherweight, David Frost, for a $600,000 prize bag. Read More

The Prestige – Not That Exciting When You Know How It’s Done

Posted 09 Jul 2011 — by contributor
Category Film Reviews, Movies I Got

By Scott Martin

The Prestige, USA / UK, 2006

Directed by Christopher Nolan

The Prestige, we live in the turn, while the pledge is revealed to us in flashbacks, and then the prestige isn't what the prestige is supposed to be, but rather something that cheats and gives an easy out. The prestige is only the third act. At least that’s what we’re told by Cutter (Michael Caine) in his opening monologue. It’s more a set of instructions for the film, we’ll discover, but that’s a later point. Every magic trick comes in three parts: one – the pledge, in which you give the audience something real to hold onto; two – the turn, in which you take that something and turn into something impossible, the part where the magic lies; three – the prestige, in which everything comes back to normal, and the audience (hopefully) cheers. Usually, magic is all about sleight of hand and misdirection. Christopher Nolan is great at that; recall the difficult but astonishing Memento (2000). There’s a pledge, a turn, and a prestige in that, but here, in The Prestige, we live in the turn, while the pledge is revealed to us in flashbacks, and then the prestige isn’t what it’s supposed to be, but rather something that cheats and gives an easy out.

Still, though, the pledge and the turn make the film exciting and the thriller it should be. Don’t be fooled – this film isn’t strictly about magicians. It’s a cat-and-mouse game about two men obsessed with one-upping each other, and who both end up destroying themselves in the process. Read More