Posts Tagged ‘sigourney weaver’

CHAPPiE – Blomkamp’s Latest Beatdown

Posted 10 Sep 2015 — by contributor
Category Film Reviews, Movies I Got

By Mike Shaeffer 

Chappie, USA / Mexico, 2015

Directed by Neill Blomkamp

CHAPPiE provides not only some intense escapism, but also a chilling look at what the day after tomorrow could bring if technology and power is placed in the hands of a corrupt and desperate police force. “People sleep peaceably in their beds at night only because rough men stand ready to do violence on their behalf.” ― George Orwell

In his 2009 feature-film debut, South African director Neill Blomkamp gave us the science fiction gem that is District 9, a stirring, gritty, and visually stunning allegory for how apartheid divided his home country. Blomkamp’s most recent foray into the science fiction genre, CHAPPiE, reflects one of society’s growing fears—the fear of a police force that has been granted greater technology, power, and room for corruption. With victims’ names like Michael Brown, Trayvon Martin, John Crawford, and Jordan Davis making the headlines this past year, movies like CHAPPiE provide not only some intense escapism, but also a chilling look at what the day after tomorrow could bring if technology and power is placed in the hands of a corrupt and desperate police force.  Read More

Dukin’ It Out With The Babadook

Posted 17 Mar 2015 — by Ezra Stead
Category Film Reviews, Movies I Got

By Mike Shaeffer 

The Babadook, Australia / Canada, 2014

Written and Directed by Jennifer Kent

The Babadook is a thriller that depicts the downward spiral of an increasingly unhinged single parent.“Children are made readers on the laps of their parents.”

― Emilie Buchwald

When marketing an independent film, producers want a trailer that will reel in any number of demographics. Their targeted audience may be those who love a good thriller, but the product is cross-marketed as a horror film or a psychological drama. Such is the case with the Australian outing The Babadook, released in the U.S. last November. While this film owes a bit to the horror genre, it works most effectively as an emotional thriller. Not only does it fit best within the thriller genre, it is most chilling when the ambiguities are cemented in the notion that this is not a supernatural haunting akin to The Amityville Horror; this is not some spin on the Necronomicon— the cursed book of flesh from Sam Raimi’s Evil Dead franchise. The Babadook is not a modern take on The Bad Seed, nor does this film involve cursed ground filled with angry spirits a la Poltergeist. The Babadook is a thriller that depicts the downward spiral of an increasingly unhinged single parent. The mother desperately loves her child, but she is overwhelmed, inept, and unable to combat the depression, fear, and anxiety she suffers after losing her husband and having to raise her boy alone.  Read More

Hashtag: Explain A Film Plot Badly

Posted 08 Sep 2014 — by Ezra Stead
Category Movies I Didn't Get

By Ezra Stead

Hashtag: Explain A Film Plot BadlyIn case you missed it, there was a fun little game trending on Twitter over the weekend, with the hashtag “Explain A Film Plot Badly.” It’s kind of similar to this old thing I wrote. Here are the ones I came up with, in order of when they were tweeted (answers can be found in the tags for this article, but I think you’ll get ’em all):

Kevin Spacey has a nice time drinking coffee and telling stories to a grumpy policeman.

Sigourney Weaver risks her life to save a cat.

Sam Neill learns to like children after being forced to keep two of them from being eaten. Read More

10 Sequels That Are (Arguably) Better Than The Original

Posted 27 Nov 2013 — by Ezra Stead
Category Essay, Film Reviews, Movies I Got

By Ezra Stead

The Bride of Frankenstein is not only better than the original Frankenstein, but also the best of all Universal monster movies.We’re used to movie franchises being victim to diminishing returns, with the sequels to classic films generally lackluster at best (Ghostbusters II, Halloween II), and at worst, utter travesties that threaten to tarnish the legacy of the original (the Matrix sequels, The Godfather: Part III). On rare occasions, though, the second film in a trilogy or franchise (which I consider to be any series with more than three movies) actually surpasses the original in some way. Here are ten sequels that are, in some circles at least, considered better than the films that spawned them, and my thoughts on each.

10 Sequels That Are (Arguably) Better Than The Original1. THE BRIDE OF FRANKENSTEIN (1935) – this is the one that got me thinking about the topic in the first place, and it’s also the oldest of the films discussed herein. James Whale’s follow-up to his 1931 hit, Frankenstein, ties up the loose end of Victor Frankenstein (Colin Clive) promising his monster (Boris Karloff) a bride to quell his loneliness. It also features most of the iconic images and dialogue associated with Universal Studios’ most famous monster, including Frank learning to smoke in the hut of the blind man he befriends (which was cemented in the public consciousness by Mel Brooks’ spoof of it in 1974’s Young Frankenstein). Bride’s expert blend of humor and pathos, as well as truly chilling moments such as Frank’s hollow, soulless intonation of the classic line, “I love dead,” make it not only better than the original Frankenstein, but also the best of all Universal monster movies. Read More

Cedar Rapids – A Town, Uninsurable

Posted 17 Jul 2011 — by contributor
Category Film Reviews, Movies I Got

By Scott Martin

Cedar Rapids, USA, 2011

Directed by Miguel Arteta

Cedar Rapids is a character piece. Not just a screwball comedy, though it is that.Most of the time during this film, I thought to myself, “This feels like an Alexander Payne movie.” Payne, for those unaware, directed wonderful and heartfelt movies like Election (1999) and Sideways (2004). Sure enough, by the time the credits rolled, Payne’s name was listed as a producer for the picture; his fingerprints are all over it, though this is a bit more screwball than anything he would normally direct. The actual director here, Miguel Arteta (Chuck & Buck, The Good Girl), doesn’t have the handle on human sympathy that Payne might, but he certainly hits it pretty close to home. Certainly pretty far from Cedar Rapids, Iowa, which doesn’t seem to hold much sympathy for those who pass through it. Read More

Paul

Posted 21 Mar 2011 — by contributor
Category Film Reviews, Movies I Got

By Scott Martin

Paul, Spain / France / UK / USA, 2011

Directed by Greg Mottola

Paul is the new feature from director Greg Mottola.

Paul is the simple story of an alien with an attitude and a heart of gold. In fact, the entire point of the film is so sweet that it seems almost impossible to believe that most of the film itself is crude, and partly cruel. Unlike Shaun of the Dead (2004) and Hot Fuzz (2007), which were helmed by Edgar Wright, Simon Pegg and Nick Frost have brought us an eager “who said it” film filled with countless references and … political poignancy. All this, from Superbad (2007) and Adventureland (2009) director Greg Mottola. Mottola’s filmography is small, but consistent – he’s a comedian’s director with a lot of his own to say. That’s a form of direction I’ve always appreciated; the ability to let others shine while imbuing your own specific messages into the forefront. But here, Paul has mismatched its intent with its delivery. And that, in retrospect, hinders a positive remembrance of the film.

When I saw this film about a couple of weeks ago, I remember that I laughed throughout. It’s a funny, sharp, and deliriously rich comedy. With the talents of Pegg, Frost, and Mottola, we also get Bill Hader, Jason Bateman, Kristen Wiig, Sigourney Weaver, David Koechner, and Seth Rogen’s voice as the alien Paul. Outside of Pegg, Frost, Rogen, and Wiig, all of the other actors have borderline cameo roles, but are given enough material to stretch their legs and get the ball rolling. Read More

Sundance Film Fest Moving To A City Near You

Posted 09 Dec 2010 — by Jason A. Hill
Category Film Industry News

By Jason A. Hill

Sundance Film Festival marquee movies i didnt getIn a press release today, the Sundance Institute announced that it will host its famed film festival in nine different cities in January.

PARK CITY, UTAH – Sundance Institute today announced the films from the 2011 Sundance Film Festival scheduled to screen in theaters in nine different cities, including the newly added Seattle, Washington Egyptian Theatre, on the evening of Thursday, January 27, 2011. The screenings are part of Sundance Film Festival USA, designed to introduce the Festival experience to film-loving audiences nationwide. The 2011 Sundance Film Festival opens January 20 and runs through January 30 in Park City, Salt Lake City, Ogden and Sundance, Utah. Read More