Posts Tagged ‘Tessa Thompson’

Sorry To Bother You – A Fascinating Mess

Posted 28 Jul 2018 — by Ezra Stead
Category Film Reviews, Movies I Didn't Get

By Ezra Stead 

Sorry to Bother You, USA, 2018

Written and Directed by Boots Riley

It is often lamented by casual movie fans that “Hollywood has run out of ideas.” In fact, the seeming lack of originality in the mainstream movie pool has more to do with a fear of taking chances on those new ideas, which certainly do exist. Why gamble when you can pretty much guarantee a huge opening weekend with a sequel to, or adaptation of, an already beloved existing property? With that in mind, it’s rather amazing that this debut feature from writer-director Boots Riley, a founding member of legendary Hip-Hop group The Coup, ever got greenlit. I mean this in both a good way – because Sorry to Bother You is full of original ideas, sharp satire, and great performances – and in a somewhat more negative way, because it often feels so overstuffed with interesting concepts that it can’t possibly come together as a wholly satisfying, coherent narrative.  Read More

MIDG Podcast #3: 87th Academy Awards Oscars Predictions

Posted 21 Feb 2015 — by Jason A. Hill
Category Film Industry News, Film Reviews, Hollywood Beat, Movies I Didn't Get, Movies I Got

By Jason A. Hill & Ezra Stead

oscars+2015

The MIDG Oscars Podcast, 2015 edition.

Oscar discussion and predictions for the show Sunday night, February 22nd, on ABC.

 

Part 1: 1 hour and 6 minutes.

 

Part 2: 1 hour and 11 minutes.

 

Intro Music: Theory Of Everything Theme

Outro Music: Whiplash Title Theme

Read More

Tyler Perry’s For Colored Girls

Posted 24 Nov 2010 — by contributor
Category Film Reviews, Member Movie Reviews, Movies I Got

By Scott Martin

For Colored Girls, USA, 2010

Written and Directed by Tyler Perry

Based on the Play For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf by Ntozake Shange

for colored girls movies i didnt getThe thing that has always fascinated me about Tyler Perry’s films is how simple in structure they are. Everything has its place, and everything falls in line. It’s kind of elemental, or, even though this word implies a negative connotation, elementary; not really paint-by-numbers, but there are moments in his canon that are extremely formulaic, despite his “auteur” intent. Diary of a Mad Black Woman (2005), The Family That Preys (2008), For Colored Girls – all have elements of each other, and all have elements of a distinct kind of American film: Soul Food (1997), Woman Thou Art Loosed (2004), Precious (2009); he even subtly draws from the days of the transcendence of exploitation minstrel into the hands of African-American filmmakers who made thoughtful blaxploitation films. Perry’s well-rounded direction makes up for his choppy writing.

From Ntosake Shage’s For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf, he draws a broader portrait from Shange’s view of what it is to be a woman of color in the ’70s to what it is to be a woman of color in today’s harsher world. Love, abandonment, disease, abortion, rape – the film follows a pattern like that of 2004’s Crash in that the broad portrait is painted with broad characters to whom all bad things imaginable happen. No one falls down a staircase, there isn’t any expository dialogue, but the effort remains cyclical in the same root: stuff enough plot into the box until it won’t close properly. The play itself is nearly un-filmable, so Perry did his absolute best with what he could. Perry’s Colored Girls are more accessible in this day and age, if not more thinly written. Rather than just colors for names, he gives each woman a full characterization and uses their original monikers as a motif in their costuming. His new characters have no such motif, but are more stoic in their additions. From the moment they pop onto the screen, we know why they are there. Read More