Posts Tagged ‘United Kingdom’

Red Riding: In the Year of Our Lord 1974

Posted 14 Jul 2011 — by contributor
Category Film Reviews, Most Confusing Films of All time, Movies I Got

By Scott Martin

Red Riding: In The Year of Our Lord 1974, UK, 2009

Directed by Julian Jarrold

Red Riding: In the Year of Our Lord 1974 is the first of three films, tracking a serial killer through Yorkshire between 1974-1983Red Riding: In the Year of Our Lord 1974 is the first of three films tracking a serial killer through Yorkshire between 1974 and 1983. The films mirror the actual Yorkshire Ripper and the police cover-ups and scams that took place at the time. The Yorkshire Ripper, thought at the time to be a mentally challenged man who had been caught (and forced to confess), had killed thirteen girls (perhaps more) and continued to run free for years, despite the public demand to have him caught. Consider the Zodiac killer, around the same time, here stateside. Also consider the David Fincher film Zodiac (2007) when watching this installment of the trilogy; they’re practically identical. Read More

Dorian Gray – The Portrait Has Aged Better

Posted 12 Jul 2011 — by contributor
Category Film Reviews, Movies I Didn't Get

By Scott Martin

Dorian Gray, UK, 2009

Directed by Oliver Parker

Gray is all about the atmosphere in this version, not so much about the preservation of Wilde's wit nor the story itself. You would think that turning an Oscar Wilde novel into a sensationalized, nearly exploitative camp piece of pulp fiction might prove impossible, but Oliver Parker would prove you wrong; shamefully so, seeing as how his adaptations of other Wilde works, like An Ideal Husband (1999) or The Importance of Being Earnest (2002), have been rightly lauded. Even more amazing, Dorian Gray failed to find a distributor in the United States, and was doomed to a direct-to-DVD release here, after a theatrical release in the United Kingdom. As it stands, though, Dorian Gray is all about the atmosphere in this version, rather than the preservation of Wilde’s wit or the story itself. It’s unfortunate, but that’s what we’re left with at the end of the film; lots of pomp, but very little circumstance.

Honestly, it might be more accurate to consider this as a prequel to Stephen Norrington’s 2003 Alan Moore adaptation¬†The League of Extraordinary Gentlemen. Of course, this is an adaptation of the 1891 Oscar Wilde novel The Picture of Dorian Gray, but so little is done to honor the work that it seems cruel to connect the two. The ideas behind the two frames remain the same, but the results are entirely different. Dorian Gray (Ben Barnes), a youthful man of twenty or so, inherits a fortune after his father passes away. With that fortune comes the posh lifestyle of the early 20th century and a slew of new friends, the most important of which proves to be a man named Henry Wotton (an excellent Colin Firth), who teaches young Dorian to not be afraid of pleasure in all its forms, and another named Basil Hallward (Ben Chaplin), who paints a wonderful portrait of Dorian and wishes to put it on display. Of course, he can’t. Why? Because the Dorian in the picture ages, rather than Dorian himself, and the life Dorian is leading – a life bitter with corruption and decadence – isn’t to kind to him. Read More