By Ezra Stead
Cave of Forgotten Dreams, Canada / USA / France / Germany / UK, 2010
Written and Directed by Werner Herzog
There is no better filmmaker in existence to have made this film, a document of one of the greatest treasures in human history made by a director who is one of the greatest living legends in cinema history. Werner Herzog, who deftly alternates between fiction and documentary films like no other filmmaker alive (Spike Lee has done fairly well in this regard, too), presents a truly jaw-dropping 3D journey through the Cave of Chauvet-Pont-d’Arc, a cave in southern France that houses some of the oldest known artworks of the human race. Through his necessarily limited exploration of the cave (the crew was allowed to film only four hours a day for one week, and only under the strictest of guidelines) and extensive interviews with various fascinating and eccentric experts, Herzog delves into the mysteries of the beginnings of human consciousness and, by looking deep into the past, ultimately considers the possibilities of the future.
The deep underground cave explored and documented in loving detail by Herzog and his crew of four was discovered in 1994 by Jean-Marie Chauvet (for whom it was named), Eliette Brunel Deschamps and Christian Hillaire, who found it by following an air current coming out of the ground. A landslide over 20,000 years ago had sealed the cave, effectively making it a perfect time capsule for the ensuing millennia and keeping its extraordinary artifacts amazingly fresh, which led to suspicions by some that the paintings on the walls were, in fact, a modern hoax. This is briefly addressed in the film, with experts pointing out the layers of calcification over the charcoal lines of the paintings that could only have been produced over thousands of years. The excitement and emotion felt by the many archaeologists, scientists and other experts in various fields is palpable, and the often amazing cinematography makes it infectious. Read More
This new documentary from David Alvarado and Jason Sussberg tackles one of the most fascinating subjects a nonfiction film could possibly cover: it is about scientists on the hunt for a cure for aging. In other words, the subjects of this film are trying to make natural death a thing of the past. What makes the film even more special and memorable is the fact that it is just as interested in these scientists as people, giving equal time to both their extremely compelling goals and their personal biographies. In investigating the reasons for their obsessions, the film tells us a great deal about these people, as well as about ourselves. Read More
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