Posts Tagged ‘William Shakespeare’

My Week With Marilyn

Posted 22 Apr 2012 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

My Week with Marilyn, UK / USA, 2011

Directed by Simon Curtis

My Week with Marilyn is a solid biopic buoyed by an excellent performance from Michelle Williams. Marilyn Monroe was my first real crush, even before I really knew what a crush was. I grew up on old movies, which is probably the reason I still find the image of a woman smoking with a cocktail in the other hand extremely sexy, and no woman on the silver screen from that golden era long before I was born held the mysterious, seductive allure of Marilyn. Three of her films in particular were my childhood obsessions: Otto Preminger’s River of No Return (1954), Billy Wilder’s Some Like It Hot (1959) and John Huston’s The Misfits (1961), which turned out to be her final feature. Of course, there were other favorites, especially Howard Hawks’ Monkey Business (1952) and Wilder’s The Seven Year Itch (1955), but those three really captured her sweet vulnerability, her almost oblivious sensuality, and the soft sadness behind her alluring smile, an indication of the hard life she had lived and, as my young mind and these films dared to hope, had now left behind. In reality, of course, poor Marilyn’s life only got harder, until it was snuffed out all too soon. Read More

Absolute Corruption – Three Films About Power

Posted 29 Jul 2011 — by Ezra Stead
Category Essay, Film Reviews

By Ezra Stead

Citizen Kane has been widely cited as the greatest American film ever made. Citizen Kane, USA, 1941

Directed by Orson Welles

Scarface, USA, 1932

Directed by Howard Hawks

Beauty and the Beast, France, 1946

Written and Directed by Jean Cocteau

Never before or since has any director made such an impressive feature film debut as Orson Welles did, at the astonishing age of 25, with Citizen Kane (1941). Despite having no prior experience in filmmaking, Welles was given carte blanche on the film, and he delivered the most original, innovative and provocative film of its time. Even today it is considered one of the greatest films ever made, and it is a standard by which all other films are judged. According to the great critic Andrew Sarris, as quoted in his 1967 book Interviews with Film Directors, “Citizen Kane is still the work which influenced the cinema more profoundly than any American film since Birth of a Nation.” Read More

Gnomeo & Juliet

Posted 07 May 2011 — by contributor
Category Animation, Film Reviews, Movies I Didn't Get

By Scott Martin

Gnomeo & Juliet, UK / USA, 2011Gnomeo and Juliet Poster

Directed by Kelly Asbury

In what might become an anthem for the Gnome Liberation Front, Gnomeo & Juliet (very loosely) retells the story of William Shakespeare’s famed tragedy of nearly the same name. But, after all, a movie about doomed garden gnome love by any other name is still as dreadful. Oddly enough, a pastiche of Shakespeare puns and gardening jokes took nine writers – Andy Riley, Kevin Cecil, Mark Burton, Emily Cook, Kathy Greenberg, Steve Hamilton Shaw, Kelly Asbury, Rob Sprackling, and John R. Smith – to fully realize. That might be the funniest thing about the film. Between them, be it final touch-ups, penning the original stories, script drafts, or tossing in jokes here and there, they pulled off true movie magic: a film that feels like it has no screenplay at all, written by a small committee.

Most of us grew up knowing the story of Romeo and Juliet, and for the little kids who are for some reason seeing this film, a small gnome sets our scene: “Two gardens, both alike in dignity, in fair grass, where we lay our scene, from ancient grudge break to new mutiny, where civil dirt makes civil ceramic unclean. From forth the fatal loins of these two foes a pair of star-cross’d gnomes pull through it all right; whose misadventured piteous overthrows do with their lame puns bury their parents’ strife. The fearful passage of their scuff-mark’d love, and the continuance of their parents’ rage, which, but their children’s end, nought could remove, is now the 86 minutes’ traffic of our stage; the which if you with patient ears attend, what here shall miss, our toil shall strive to mend.” And if you’ll buy that, I have a bridge I need to get off my hands. Baz Lurhmann’s take, 1996’s Romeo + Juliet, was rooted in gang violence in Southern California. That feud was believable. All other versions, we’re committed to going along with simply because they’re direct adaptations of the play. Here, we’re expected to believe several key things without batting an eye. Read More

Thor – Let The Thunder Roll

Posted 06 May 2011 — by Nicole P
Category Film Reviews, Movies I Got

By Scott MartinThor, The God of Thunder

Thor, USA, 2011

Directed by Kenneth Branagh

Marvel movies know what they’re doing: clear action, sharp performances, and intelligent screenplays. Of course, the studio is allowed their mistakes after so many successes (here’s lookin’ at you, Iron Man 2), but more often than not, Marvel nails it, especially in their set-up for the long awaited Avengers film. We’ve had Iron Man, Black Widow and The Incredible Hulk, we’re getting Captain America, and now we have Thor – the god of thunder. Not just thunder, but lightening and fertility and strength (thanks, Wikipedia). And if anyone can embody fertility, strength, and inclement weather, it’s Chris Hemsworth. Tall, blond, beefy – he has to be the ideal casting – and in a film racked with political intrigue, light hearted hysteria, and Shakespearean grandeur, Kenneth Branagh has to be the ideal director. Read More