Posts Tagged ‘Woody Harrelson’

The Ambivalence of Justice – Dragged Across Concrete & The Highwaymen

Posted 17 Apr 2019 — by Ezra Stead
Category Film Reviews

By Ezra Stead

Dragged Across Concrete, Canada / USA, 2018

Written and Directed by S. Craig Zahler

The Highwaymen, USA, 2019

Directed by John Lee Hancock

It’s been a while since I attempted a double review, but these two recent movies have enough in common that I’ve found myself thinking of them both in the same “breath” fairly often since viewing them, and I certainly think there would be a significant overlap in their fans, if they manage to reach enough people to truly gain a fanbase (Dragged Across Concrete only played one week at a couple of theaters in New York City, and The Highwaymen has an – actually more advantageous for gaining viewership – almost exclusively online release on Netflix). They are both of the type of movies commonly (and usually unkindly) referred to as Dad Flicks, provided your dad is okay with some pretty harsh, abrupt violence. They each, in their own ways, evoke an earlier, more classical era of cinema – Dragged the mid-to-late ’70s, Highwaymen perhaps even earlier, to the new cinema of the late ’60s, i.e. the films of Sam Peckinpah from that era (as well, of course, as Arthur Penn’s Bonnie and Clyde). They are also two of the best movies I’ve seen so far this year.
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No Country For Old Men – An Argument

By Jason A. Hill & Ezra Stead

No Country for Old Men, USA, 2007

Written and Directed by Joel and Ethan Coen

Based on the Novel No Country for Old Men by Cormac McCarthy

No Country for Old Men is full of excitement, suspense, and action, but I got the feeling that there was something deeper going on under the surface and I was expecting some revelation at the end. [Note: “An Argument” is a new feature on Movies I Didn’t Get, in which the site’s founder and owner, Jason A. Hill, and head editor, Ezra Stead, debate the relative merits (or lack thereof) of various beloved movies on which they disagree. Please feel free to get in on the argument in the comments section below.]

No Country for Old Men - An ArgumentJASON’S ORIGINAL REVIEW: I didn’t get this movie. I wanted to, and I was fully engaged as I watched the film. However, by the “end” of this film, the only way I knew it was over was by lights in the cinema coming up, and for a film that wins Best Picture, Best Director, Best Adapted Screenplay, and Best Supporting Actor, I really expected a lot more. Of course, I saw the movie before all of that.

No Country for Old Men is full of excitement, suspense, and action, but I got the feeling that there was something deeper going on under the surface and I was expecting some revelation at the end. What I got instead was that feeling you get when you’re at a big concert and the headlining band comes out on stage two hours late then leaves the stage after one song as the lead singer throws the mic down and flips off the crowd. At first, everyone thinks it’s a great gesture, but after a while they start to feel conned.  Read More

Super

Posted 15 May 2011 — by Nicole P
Category Film Reviews, Movies I Didn't Get

By Scott Martin Super movie by James Gunn

Super, USA, 2010

Written and Directed by James Gunn

Super is twisted. Some films can pull that off in a positive way. Recall a film from 1998 called Happiness, directed by the superbly screwed-up Todd Solondz. That’s a film that somehow manages to find the dark humor in the sexually disturbed characters it portrays. Of course this isn’t a Todd Solondz film; it wouldn’t be as ugly if it were. No doubt, Super is very funny, in parts. Director James Gunn, whose last film was the deliriously strange Slither (2006), gives us a portrait of a mentally unhinged man who accepts a calling from God to be a superhero. He sees visions of demons and rights small wrongs before stumbling into a big crime. He wields a pipe wrench and cracks skulls for a living. The line between fantasy superhero and regular hyper-violence is blurred, not just in his mind, but in the film’s as well. We aren’t ever really shown a man we can get behind, even if it’s just to sympathize. Read More

No Country For Old Men – Or Movies With Plots And Endings

Posted 12 Jun 2009 — by Jason A. Hill
Category Film Reviews, Most Confusing Films of All time, Movies I Didn't Get

by Jason A. Hill

No Country for Old Men, USA, 2007

Written and Directed by Joel and Ethan Coen

Based on the Novel No Country for Old Men by Cormac McCarthy

Anton Chigurh with his cattle shockerI didn’t get this movie. I wanted to. And I was fully engaged as I watched the film. However, by the “end” of this film, the only way I knew it was over was by lights in the cinema coming up.

And for a film that wins Best Picture, Best Director, Best Adapted Screenplay, and Best Supporting Actor, I really expected a lot more. Of course I saw the movie before all of that.

No Country for Old Men is full of excitement, suspense, and action, but I got the feeling that there was something deeper going on under the surface and I was expecting some revelation at the end. But what I got was that feeling you get when you’re at a big concert and the headlining band comes out on stage two hours late then leaves the stage after one song as the lead singer throws the mic down and flips off the crowd. At first, everyone thinks it’s a great gesture, but after a while they start to feel conned. Read More