Posts Tagged ‘Christmas’

Ezra’s Six Days Of Christmas Movies

Posted 23 Dec 2014 — by Ezra Stead
Category Essay, Film Reviews, Movies I Didn't Get, Movies I Got

By Ezra Stead

A Muppet Christmas Carol is a delightful and remarkably faithful adaptation of Charles Dickens’ classic. Yes, I know this should be “12 Days of Christmas Movies.” Listen, it’s the holidays, guys; cut me some slack. Anyway, Christmas is far from my favorite holiday, as evidenced by my much more thorough Halloween article (over four times as many movies in that one, folks!), but I wanted to take some time this year to look at some rather off-the-beaten-path movies, as well as a couple I had seen before, but felt it was time to revisit. Here they are, in the order in which I watched them. Happy birthday, Jeebus!

THE MUPPET CHRISTMAS CAROL – a delightful and remarkably faithful adaptation of Charles Dickens’ classic, starring Michael Caine as Ebenezer Scrooge (Ebenezer apparently went the way of Adolph as a first name choice), Kermit the Frog as Bob Cratchit, and the Great Gonzo as Dickens himself. The biggest deviation from the source material is the casting of not one but two Jacob Marleys, in the form of crusty old hecklers Statler and Waldorf. Michael Caine gives a typically excellent performance, with far more emotional depth than you’d expect from a Muppet movie, and the film ends on a positive, Sesame Street-esque educational note: “If you’d like to know more, read the book.” ****  Read More

10 Sequels That Are (Arguably) Better Than The Original

Posted 27 Nov 2013 — by Ezra Stead
Category Essay, Film Reviews, Movies I Got

By Ezra Stead

The Bride of Frankenstein is not only better than the original Frankenstein, but also the best of all Universal monster movies.We’re used to movie franchises being victim to diminishing returns, with the sequels to classic films generally lackluster at best (Ghostbusters II, Halloween II), and at worst, utter travesties that threaten to tarnish the legacy of the original (the Matrix sequels, The Godfather: Part III). On rare occasions, though, the second film in a trilogy or franchise (which I consider to be any series with more than three movies) actually surpasses the original in some way. Here are ten sequels that are, in some circles at least, considered better than the films that spawned them, and my thoughts on each.

10 Sequels That Are (Arguably) Better Than The Original1. THE BRIDE OF FRANKENSTEIN (1935) – this is the one that got me thinking about the topic in the first place, and it’s also the oldest of the films discussed herein. James Whale’s follow-up to his 1931 hit, Frankenstein, ties up the loose end of Victor Frankenstein (Colin Clive) promising his monster (Boris Karloff) a bride to quell his loneliness. It also features most of the iconic images and dialogue associated with Universal Studios’ most famous monster, including Frank learning to smoke in the hut of the blind man he befriends (which was cemented in the public consciousness by Mel Brooks’ spoof of it in 1974’s Young Frankenstein). Bride’s expert blend of humor and pathos, as well as truly chilling moments such as Frank’s hollow, soulless intonation of the classic line, “I love dead,” make it not only better than the original Frankenstein, but also the best of all Universal monster movies. Read More

Friday The 13th (2009) – Why Not Just Close The Camp?

Posted 05 Jul 2011 — by contributor
Category Film Reviews, Movies I Got

By Scott Martin

Friday the 13th, USA, 2009

Directed by Marcus Nispel

Friday the 13th 2009 could be a considered an anti-drug PSA.Well, 29 years later, it was bound to happen: an attempt at a reboot of one of the most popular franchises in film history, taking in almost half a billion dollars worldwide. 11 films later, it still doesn’t make sense (even though there are twelve films, I say eleven, because I love the original), but, like most reboots, the director (here, Marcus Nispel of the 2003 Texas Chainsaw Massacre infamy) ignores the existing films and sets off to deliver his own interpretation of the story. Picking up where the original film left off (kinda), Nispel takes us on a CW-star packed, machete-wielding, goalie-masked roller coaster ride. But why? There’s no evidence to support the idea that the series needed a reimagining. It’s not like it’s Batman and Joel Schumacher had been dropping loads on it for a few years. Starting with Part 2 (1981), none of the films were ever very good. I liked a few of the sequels, particularly Part VIII: Jason Takes Manhattan (1989), but it’s not like the story ever got lost in transition. Jason stalks people, he kills people, he dies, he comes back next year to stalk and kill more people. How is that hard to get right? Read More