Posts Tagged ‘Jack Nicholson’

Beethoven – A Dog Hater’s Perspective

Posted 22 Aug 2015 — by Ezra Stead
Category Essay, Film Reviews, Movies I Got

By Ezra Stead 

Beethoven, USA, 1992

Directed by Brian Levant

Beethoven would seem, at first glance, to be the ultimate dog lover's movie, but it is arguably more enjoyable, and certainly more interesting on a subtextual level, to view it from the opposite perspective. I should start this off by saying that I am not truly a dog hater. Like virtually any human being, I have been known to find dogs charming in small doses, but I would never want to live with one, so I can relate to George Newton (Charles Grodin), the hapless protagonist / antagonist of Beethoven. This would seem, at first glance, to be the ultimate dog lover’s movie, but it is arguably more enjoyable, and certainly more interesting on a subtextual level, to view it from the opposite perspective.

The film stacks the deck against we dog haters from the beginning, opening on an ominously rainy night outside the “Pet Supply” warehouse where evil Dr. Varnick (Dean Jones) conducts his nefarious experiments on innocent puppies. A prime example of this deck-stacking occurs later in the film, when it is revealed just what Dr. Varnick has in mind for poor Beethoven: a munitions manufacturer wants him to “test” a new type of exploding bullet, to see the impact it makes on “big skulls.” While it can be argued that animal testing is worthwhile because of the potential human benefits gained from it, even the most dyed-in-the-wool dog hater would find it difficult to defend the scientific expediency of shooting a dog right in the goddamn face.  Read More

Ezra’s Spooktober 2014

Posted 29 Oct 2014 — by Ezra Stead
Category Essay, Film Reviews, Movies I Didn't Get, Movies I Got

By Ezra Stead

Candyman is one of the all-time great horror films, partly because of its unique atmosphere. If I had to pick a favorite month, it would most likely be October. The weather is perfect and I have all the excuse I need to watch practically nothing but horror movies for a month. This year I watched or revisited 25 films of varying quality, and I’m passing along the recommendations to you. I’ve broken them down into three basic categories, with a fourth “Other” category for those that don’t fit any of the big three. The Undead includes zombies, vampires, Frankensteins, and of course the immortal curse of the Candyman; Mutants & Monsters covers genetic freaks, giant animals and other Things That Should Not Be; Werewolves is pretty self-explanatory. All films are ranked from highest recommendation to lowest, ***** being the highest rating and * being the lowest. Happy viewing!  Read More

7 Movies That Are (Arguably) Better Than The Book

Posted 08 Dec 2013 — by Ezra Stead
Category Essay, Film Reviews, Movies I Got

By Ezra Stead

The Maltese Falcon is a masterpiece of stylistic economy, so faithfully adapted by director John Huston that reading the novel is almost like reading an exceptionally detailed treatment for the film.This is one of the most persistent clichés of film criticism: that the book is always better than its film adaptation. More often than not, it’s true, as the novel is generally able to provide a richer, more nuanced character study, not limited to only two senses the way films are. However, in some cases, less is more. Here are seven films that I would argue are even better than the books on which they are based.

7 Movies That Are (Arguably) Better Than The Book1. THE MALTESE FALCON (1941) – Dashiell Hammet’s original 1930 detective novel is a masterpiece of stylistic economy, so faithfully adapted by director John Huston that reading the novel is almost like reading an exceptionally detailed treatment for the film. However, eight simple words improvised by Humphrey Bogart as detective Sam Spade make all the difference. When asked what the titular bird sculpture is at the end of the film, Spade says, “It’s the stuff that dreams are made of.” This classic, oft-quoted line of dialogue has become the most memorable moment of the film, a subtle commentary on filmmaking itself, especially of the Hollywood “Dream Factory” variety, of which The Maltese Falcon was itself a part. The line is nowhere to be found in the book, and that alone is enough to warrant the film’s inclusion on this list. Read More

10 Sequels That Are (Arguably) Better Than The Original

Posted 27 Nov 2013 — by Ezra Stead
Category Essay, Film Reviews, Movies I Got

By Ezra Stead

The Bride of Frankenstein is not only better than the original Frankenstein, but also the best of all Universal monster movies.We’re used to movie franchises being victim to diminishing returns, with the sequels to classic films generally lackluster at best (Ghostbusters II, Halloween II), and at worst, utter travesties that threaten to tarnish the legacy of the original (the Matrix sequels, The Godfather: Part III). On rare occasions, though, the second film in a trilogy or franchise (which I consider to be any series with more than three movies) actually surpasses the original in some way. Here are ten sequels that are, in some circles at least, considered better than the films that spawned them, and my thoughts on each.

10 Sequels That Are (Arguably) Better Than The Original1. THE BRIDE OF FRANKENSTEIN (1935) – this is the one that got me thinking about the topic in the first place, and it’s also the oldest of the films discussed herein. James Whale’s follow-up to his 1931 hit, Frankenstein, ties up the loose end of Victor Frankenstein (Colin Clive) promising his monster (Boris Karloff) a bride to quell his loneliness. It also features most of the iconic images and dialogue associated with Universal Studios’ most famous monster, including Frank learning to smoke in the hut of the blind man he befriends (which was cemented in the public consciousness by Mel Brooks’ spoof of it in 1974’s Young Frankenstein). Bride’s expert blend of humor and pathos, as well as truly chilling moments such as Frank’s hollow, soulless intonation of the classic line, “I love dead,” make it not only better than the original Frankenstein, but also the best of all Universal monster movies. Read More

Please Give

Posted 06 Aug 2011 — by contributor
Category Film Reviews, Movies I Got

By Scott Martin

Please Give, USA, 2010

Written and Directed by Nicole Holofcener

Please Give is a darkly sweet comedy about the destructive and oddly uplifting power of guilt - and, subsequently, what it does to a person.When Melvin Udall (Jack Nicholson), the novelist main character in As Good as It Gets (1997) is asked “How do you write such great women?” he responds, “I think of a man, and I take away reason and accountability.” Nicole Holofcener didn’t take that advice, and she’s probably the best writer of women in Hollywood, behind the indelible Woody Allen, that is; I don’t think anyone can top him, but, as he’s in a class of his own (it can be said that Woody writes Woody’s women well, and that’s it), Holofcener might be the best in the game. For a further example, seek out Lovely & Amazing, her first feature from 2001, also starring Catherine Keener. Please Give and Lovely & Amazing aren’t too similar in content, but the aftertaste is the same; you’ve just witnessed something daring and tangible, something more exciting than most things studios push out these days. Please Give is a darkly sweet comedy about the destructive and oddly uplifting power of guilt and, subsequently, what it does to a person. Or, rather, a group of people.

Kate (Keener) and Alex (Oliver Platt) live an interesting life; they’re essentially ambulance chasers, but in the antique business. They run a local furniture shop and get their goods collecting from the children of the recently dead. Kate is a woman with a warped sense of guilt; she gives seemingly large amounts of money to the homeless and does her best to volunteer for charities. Nothing seems to help, especially because she’s married to the charmingly goofy Alex, who treats her like a partner in everything. Nothing seems to be enough for her. They live next door to a cantankerous old woman named Andra (Ann Guilbert) who is pushing 90 and who hates just about everything in everything she sees. She’s cared for by her two granddaughters, Rebecca (Rebecca Hall) and Mary (Amanda Peet), who have their own reservations, either because of prior plans or their own dispositions. Mary can’t stand the old woman, and Rebecca wouldn’t know who to care for without her. Sarah Steele plays Kate and Alex’s teenage witch, Abby. Read More

The Departed – A Remake Better Left Unmade

Posted 01 Sep 2009 — by contributor
Category Film Reviews, Movies I Didn't Get

By Corey Birkhofer

The Departed, USA / Hong Kong, 2006

Directed by Martin Scorsese

leonardo dicaprio matt damen jack nicholson

Don’t get me wrong. Remakes can work. I actually liked the American remake of Seven Samurai (The Magnificent Seven). Hell, I even enjoyed The Ring and The Grudge remakes after seeing the original Japanese versions of both. But when Martin Scorsese decided to remake Infernal Affairs (2002), one of my favorite more recent Hong Kong films, I have to admit some lines were crossed.

Before I get too ahead of myself, let’s contemplate for a minute why remakes are even made in the first place. If the original was so inspiring, why does it need to be redone? And in one’s remaking of an original work, what do the creators intend to change to make it, in their minds, better? I think this gives a hint as to why films are remade in the first place, but there’s also the question of accessibility and reception. How will the original work be received if the audience has to sit through a film with (gasp!) subtitles? Sadly, the general American moviegoer is definitely not up for a film where they have to sit and read words on the screen. Unfortunately for these viewers, they miss out on a wealth of amazing films. And yet, with these moviegoers being the ones who fill movie seats, they are the judge and jury of what kind of films get greenlit; thus we get foreign films perfectly fine being left the way they are getting remade to be more attuned to American audiences.

That being said, though the original Infernal Affairs was a box office smash hit in China, who was to say it would be as big of a hit when it came to the states? Though Miramax did bring the original Infernal Affairs over for a relatively successful limited release in 2004 (two years after its release in China), I guess Scorsese just couldn’t resist taking a stab at the narrative himself. I remember back in 2004 when I was still reeling from the excitement after seeing the original Infernal Affairs, only to find out Scorsese was planning to make his own American version. With Scorsese at the helm I was actually pretty excited at the time, but flashing forward three years after The Departed came out in 2006, I’m definitely wishing I could go back to a moment in time when this film did not exist.

Read More