Posts Tagged ‘Mel Brooks’

10 Sequels That Are (Arguably) Better Than The Original

Posted 27 Nov 2013 — by Ezra Stead
Category Essay, Film Reviews, Movies I Got

By Ezra Stead

The Bride of Frankenstein is not only better than the original Frankenstein, but also the best of all Universal monster movies.We’re used to movie franchises being victim to diminishing returns, with the sequels to classic films generally lackluster at best (Ghostbusters II, Halloween II), and at worst, utter travesties that threaten to tarnish the legacy of the original (the Matrix sequels, The Godfather: Part III). On rare occasions, though, the second film in a trilogy or franchise (which I consider to be any series with more than three movies) actually surpasses the original in some way. Here are ten sequels that are, in some circles at least, considered better than the films that spawned them, and my thoughts on each.

10 Sequels That Are (Arguably) Better Than The Original1. THE BRIDE OF FRANKENSTEIN (1935) – this is the one that got me thinking about the topic in the first place, and it’s also the oldest of the films discussed herein. James Whale’s follow-up to his 1931 hit, Frankenstein, ties up the loose end of Victor Frankenstein (Colin Clive) promising his monster (Boris Karloff) a bride to quell his loneliness. It also features most of the iconic images and dialogue associated with Universal Studios’ most famous monster, including Frank learning to smoke in the hut of the blind man he befriends (which was cemented in the public consciousness by Mel Brooks’ spoof of it in 1974’s Young Frankenstein). Bride’s expert blend of humor and pathos, as well as truly chilling moments such as Frank’s hollow, soulless intonation of the classic line, “I love dead,” make it not only better than the original Frankenstein, but also the best of all Universal monster movies. Read More

Uplift The Race – Three Spike Lee Joints

Posted 12 May 2011 — by Ezra Stead
Category Essay, Film Reviews, Movies I Got

By Ezra Stead

Do the Right Thing, USA, 1989

Malcolm X, USA / Japan, 1992

Bamboozled, USA, 2000

Directed by Spike Lee

Spike Lee is one of the most important filmmakers of the late 20th century.

For twenty years now, ever since his debut feature She’s Gotta Have It in 1986, Spike Lee (b. 1957) has been one of the most innovative and provocative directors of his time. As expressed numerous times throughout his many films, Lee’s highest goal is to “wake up” and uplift all oppressed and deluded people, but he has an understandably primary concern for his own people, the African-Americans who have been abused and misrepresented in the United States ever since before it was even called the United States.

Many critics have accused Lee of the same bigotry his films abhor, citing in particular three of his best films – Do The Right Thing, Malcolm X and Bamboozled – as being counterproductive and causing, rather than alleviating, the tensions between various races, but particularly between blacks and whites. Yet all one has to do is view these films to see Lee’s love of all humanity; each one of these films is an eloquent cry of pain at the inhumanity bred by racism in anyone, of any race.  Read More

The Goonies – Much Worse Than You Remember

Posted 14 Mar 2011 — by Ezra Stead
Category Essay, Film Reviews, Movies I Didn't Get

By Ezra Stead

The Goonies, USA, 1985

Directed by Richard Donner

The Goonies might be the most overrated film of the 1980s.

You know what I love about the ’80s? Public Enemy, NWA, Prince, Guns N’ Roses, and the fact that The Toxic Avenger (1984), an unrated film that shows a kid’s head getting smashed by a car in graphic, bloody close-up within the first thirty minutes, was inexplicably made into a children’s cartoon on broadcast television.

You know what I hate about the ’80s? Reaganomics, Reagan, Bush, and now that I’ve pretty much got you all on my side, let me do a 180 and say that I hate The Goonies (1985).

Okay, so you’re probably yelling at your computer screen now, but I defy any of you, to give me any kind of logical argument for why anyone over the age of ten, with an IQ over 100, should like this film, let alone consider it “the greatest adolescent adventure film of all time,” as at least one critic has dubbed it.

Now, I’ll admit that I am lacking the one and only prerequisite for liking The Goonies: I never saw it as a kid. I know dozens of people who profess to love the film because they grew up with it. Most of them haven’t seen it since they were kids, but I guess that’s beside the point. The point is, I also never saw Labyrinth (1986) or The Princess Bride (1987) or The Neverending Story (1984) as a kid either, but I still love those movies now, after having seen them as an adult. Why? Because they’re actually good films.

The Goonies, on the other hand, has one good thing going for it: Chunk (Jeff Cohen). Perhaps the only worthwhile scene in the whole godforsaken film is Chunk’s tearful confession of causing a massive puke-fest, which would have been funnier if it were shown rather than merely described, a la Stand By Me (1986), an infinitely superior “adolescent adventure film.” Chunk’s other shining moment is, of course, the infamous “truffle shuffle,” a cheap joke at the expense of a fat kid that I would still rather watch for three hours than sit through the rest of the movie. Read More

Loving The Bomb – Technology And Conquest In The Films Of Stanley Kubrick

Posted 11 Feb 2011 — by Ezra Stead
Category Essay, Most Confusing Films of All time, Movies I Got

By Ezra Stead

Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb, UK, 1964

2001: A Space Odyssey, UK / USA, 1968

A Clockwork Orange, UK / USA, 1971

Directed by Stanley Kubrick

Stanley Kubrick is the greatest filmmaker of all time. Stanley Kubrick (1928-1999) was undeniably one of the most brilliant and innovative motion picture directors of all time. His meticulously crafted works have influenced innumerable filmmakers all over the world, from Steven Spielberg to Gaspar Noe. Obviously, entire books have been written about Kubrick’s oeuvre, so let us focus here on the peak of his career, from 1963 to 1971, and the three films that are, arguably, his greatest masterpieces: Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb (1964); 2001: A Space Odyssey (1968); and A Clockwork Orange (1971).

Throughout these films are many common themes; prominent among them are technology and conquest. All three revolve around the idea of technology’s relationship to modern Man and his quest to control the Unknown, represented by the Doomsday Machine in Strangelove, HAL (voiced by Douglas Rain) in 2001, and the Ludovico Technique in Clockwork.
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Robots

Posted 23 Aug 2009 — by contributor
Category Animation, Film Reviews, Movies I Didn't Get

By Corey Birkhofer

Robots, USA, 2005

Directed by Chris Wedge and Carlos Saldanha

Rodney Copperbottom and Herb Copperbottom

Hello again, folks. Thanks for checking in. This time around, I’d like to switch gears from live-action and focus on a 20th Century Fox animation called Robots. Being a huge fan of all forms of animation, from old fashioned cell to state-of-the-art CG, the little kid inside of me still gets a little giddy every time I’m about to watch an animated film I haven’t seen yet. It was no different when I happened upon a film released in 2005 that I had heard very little about, called Robots. Now I’ll go and see just about anything Pixar puts out, but I’ve had mixed feelings when it comes to Fox’s animation attempts. I want to see Fox put out great works so Pixar has some competition to keep them on their toes, but unfortunately, Robots was definitely a movie that I did not get into.

Spoiler Alert

The premise is simple: the Copperbottoms (voiced by Stanley Tucci and Dianne Wiest) are a happy robot couple who live in their peaceful world, filled with spare parts and resources in abundance. They decide to build their own robot son, Rodney Copperbottom (voiced by Ewan McGregor) and raise him the best they can. Rodney is a good son with dreams of becoming an inventor like his hero Bigweld (voiced by Mel Brooks). Rodney’s inventions never seem to quite work out the way he intends, but that doesn’t stop him from wanting to show his latest invention to Bigweld and become a famous inventor in the big city. So here we have a simple “small town boy wants to make it in the big city” premise that seems like a reasonable enough base from which to build. Despite its lack of originality, I was still intrigued enough to go along for the ride at this point. Unfortunately, things went downhill from here.

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