Posts Tagged ‘Tilda Swinton’

Ezra’s Favorite Movies Of 2014

Posted 17 Feb 2015 — by Ezra Stead
Category Film Reviews, Movies I Didn't Get, Movies I Got

By Ezra Stead 

The Lego MovieThis was the year I realized that my annual goal of seeing pretty much every movie released in a given year was more impossible than ever. The reason for this is the exponential growth in the number of films now being released in the digital age. When I started doing these lists back in 2001, there were about 300 official releases per year; now it’s closer to 700. With that in mind, I’d like to start with a partial list of movies I meant to see in 2014, but just didn’t get to in time. Then, to acknowledge the relatively arbitrary nature of these lists in general, I’m listing my Top 10 in categories by which each film corresponds to another one from my Top 20 (only the Top 10 is ranked in order of preference). It’ll make more sense as you read it, I promise.

WHAT MIGHT HAVE BEEN (40 movies I didn’t see in time for this list, in alphabetical order): Bird People; The Boxtrolls; Calvary; Chef; Citizenfour; Coherence; The Congress; Enemy; Fading Gigolo; Filth; Force Majeure; Foxcatcher; Frank; Fury; Gloria; Happy Christmas; Ida; Joe; A Letter to Momo; Leviathan; Life After Beth; Like Father, Like Son; Lucy; Men, Women & Children; A Million Ways to Die in the West; Mr. Turner; Moebius; A Most Violent Year; Night Moves; Palo Alto; The Rocket; The Sacrament; St. Vincent; Song of the Sea; Starred Up; Stonehearst Asylum; Top Five; 22 Jump Street; Virunga; Wrinkles.

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John C. Reilly Hates Children – Carnage & We Need To Talk About Kevin

Posted 24 Jun 2012 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

Carnage, France / Germany / Poland / Spain, 2011

Directed by Roman Polanski

We Need to Talk About Kevin, UK / USA, 2011

Directed by Lynne Ramsay

Carnage exposes a fierce, boiling rage under the surface of the two wealthy, civilized couples in the film. The title of this piece is obviously a joke, as I have no concrete evidence to support the idea that the excellent actor John C. Reilly actually hates children. However, being born the fifth of six children and having now fathered two of his own, he undoubtedly related to some of the sentiments expressed in his two latest films, Roman Polanski’s Carnage and Lynn Ramsay’s We Need to Talk About Kevin, both of which provide starkly different perspectives on why it just might not be such a great idea to have kids. Carnage is very funny, while Kevin is dark, dark, dark – but the underlying insights about human nature in both are decidedly bleak and brutal, regardless of whether they are cushioned by humor or not.  Read More

Intense Style – Afterschool & Love Is The Devil

Posted 09 Sep 2011 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

Afterschool, USA, 2008

Written and Directed by Antonio Campos

Love is the Devil: Study for a Portrait of Francis Bacon, UK / France / Japan, 1998

Written and Directed by John Maybury

Afterschool is a chilling look at the effect of media saturation in the modern world. Today’s entry in the old Movies I Didn’t Get pantheon looks at two films made a decade apart that share one major unifying similarity, which is an abundance of visual style. Antonio Campos’s Afterschool and John Maybury’s Love is the Devil: Study for a Portrait of Francis Bacon have very little else in common other than a similarly dark vision and the fact that each is the work of a single, distinct writer-director, but seeing them within about a week of one another, I was struck by how each of them create fascinating worlds through the use of highly unconventional cinematic techniques. In both films, the viewer is consistently thrown off-kilter by camera angles and distortions that create an intentional emotional distance, and at times even make it difficult (and therefore all the more intriguing) to see what exactly is going on in the edges of the frame that is our only window in. Read More

The Sleeping Beauty – Better Not Bring Your Kids

Posted 22 Jul 2011 — by Ezra Stead
Category Film Reviews, Most Confusing Films of All time, Movies I Didn't Get

By Ezra Stead

The Sleeping Beauty, France, 2010

Written and Directed by Catherine Breillat

Based on the Story “Sleeping Beauty” by Charles Perrault

The Sleeping Beauty is a frustrating, disappointing new film from Catherine Breillat. If ever there was a movie I didn’t get, it is Catherine Breillat’s latest, a bizarre, meandering adaptation of the classic Charles Perrault fairy tale, “Sleeping Beauty.” Perhaps it is because I have only seen one of Breillat’s previous films, the almost universally reviled but, in my opinion, underrated and fascinating Anatomy of Hell (2004), and I am therefore not entirely familiar with her sensibility, but I just couldn’t get into this one. Though it is pretty and has a distinct air of artistry about it, I found Breillat’s The Sleeping Beauty to be tedious, and somehow both opaque and obvious at the same time. Of course, it didn’t help that I was constantly reminded of similar but better films by the likes of Terry Gilliam and David Lynch, not to mention Guillermo del Toro’s Pan’s Labyrinth (2006) and especially Sally Potter’s Orlando (1992). Though they share themes such as the transcendence of time and gender, one distinct advantage Potter’s film has over Breillat’s is the stellar, engaging central performance by the great Tilda Swinton, of which none of the actors in Beauty seem capable of approaching. Read More

I Love You Phillip Morris

Posted 06 May 2011 — by Ezra Stead
Category Film Reviews, Movies I Got

By Ezra Stead

I Love You Phillip Morris is a unique and hilarious romantic comedy. I Love You Phillip Morris, France / USA, 2009

Written and Directed by Glenn Ficarra and John Requa

This is one of the best and most unusual romantic comedies I have ever seen. The way it subverts the genre and toys with audience expectations is truly exceptional, which is probably what should be expected from co-directors Glenn Ficarra and John Requa, the writing team behind the highly unusual and subversive Christmas movie Bad Santa (2003). They followed that with the lazy Bad News Bears remake (2005), which basically retread the same ground in a much less funny and original way, but for that I shall give them a pass, mainly because Santa is so severely excellent (it has replaced Frank Capra’s It’s A Wonderful Life as the traditional Christmas Eve movie in my family).

I Love You Phillip Morris is a film that lives up to the promise shown in that previous work. It begins by assuring us that “This really happened … No, really, it did,” a disclaimer that becomes increasingly necessary as the story unfolds. Jim Carrey plays Steven Russell, whose book I Love You Phillip Morris: A True Story of Life, Love, and Prison Breaks provided the source material for the film, and it is quite possibly the very best performance of his entire career. Carrey, who was always known as an energetic physical comedian but not really seen as a seriously good actor until the late ’90s when he began tackling weightier roles in films like Peter Weir’s The Truman Show (1998) and Milos Forman’s Man on the Moon (1999), dips into his whole repertoire here, employing his trademark grinning facial contortions and manic slapstick while also tugging the heartstrings with a portrayal of surprising emotional depth. This variety of technique is perfectly suited to the character of Steven, a con artist who is never quite what he seems and constantly pulls from a huge bag of manipulative tricks to get what he wants and needs, first because, as he puts it, “Being gay is really expensive,” and later in doing whatever it takes to be with the love of his life. Read More